poster of Little Big Man
Rating: 7.7/10 by 248 users

Little Big Man (1970)

Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.

Release Date: Mon, Dec 14, 1970

Rating: 7.7/10 by 248 users

Alternative Title:
Piccolo grande uomo - IT
En god dag at dø - DK
O Pequeno Grande Homem - PT
小人物 - CN
小大人 - CN
Το Μεγάλο Ανθρωπάκι - GR
작은 거인 - KR
Малкият голям човек - BG

United States of America
Runtime: 02 hour 19 minutes
Budget: $15,000,000
Revenue: $31,559,552

Plot Keyword: based on novel or book, indian territory, fight, settler, native american, orphan, cheyenne, george armstrong custer, 19th century

Faye Dunaway
Mrs. Louise Pendrake
Chief Dan George
Old Lodge Skins
Martin Balsam
Mr. Merriweather
Richard Mulligan
Gen. George Armstrong Custer
Jeff Corey
Wild Bill Hickok
M. Emmet Walsh
Shotgun Guard
Jesse Vint
Lieutenant (as Jess Vint)
Thayer David
Rev. Silas Pendrake
Philip Kenneally
Mr. Kane - Drugstore Proprietor
Ray Dimas
Young Jack Crabb
Alan Howard
Adolescent Jack Crabb
Jack Mullaney
Card Player with Full House
Steve Miranda
Younger Bear as a Youth
Ken Mayer

John Chard

There is an endless supply of white men. There has always been a limited number of human beings. Little Big Man is directed by Arthur Penn and written by Calder Willingham. It stars Dustin Hoffman, Faye Dunaway, Martin Balsam, Chief Dan George and Richard Mulligan. Arthur Penn's Little Big Man is tagged with many filmic sayings, be it revisionist or anti Western etc, it's a picture much cherished for its oddly quirky slyness. Allegorical movies are now in this day and age ten a penny, but back in 1970, with the Vietnam War in vivid focus, that wasn't the case. Marking this out as a provocative and ambitious venture. Penn has fun debunking and poking fun at the myths of the Old West via an array of pungent characters that Jack Crabb (Hoffman) meets in his lifetime. All of which leads to the question hanging in the air, that of is Jack Crabb the sole white man survivor of Custer's last stand at Little Big Horn? The portrayal of the Indians, here the Cheyenne, is superlative by way of the fact that they are the sensible spiritual race, the whites on the other hand are emotionally corrupt in comparison. It gets a little heavy handed at times and really half an hour could have been shaved off the running time and still the pic would have had the same effect. But great performances, the quirks and the potent thematics make for a fine piece of film making. 7/10

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