+

poster of Satan Never Sleeps
Rating: 5.1/10 by 14 users

Satan Never Sleeps (1962)

A priest arrives at a mission-post in China accompanied by a young native girl who has joined him along the way. His job is to relieve the existing priest, who is now too old and weak to continue with the upkeep of the church. However, Communist soldiers arrive at the mission and seize it as a command post. Their leader rapes the native girl and impregnates her, only later to realize that Communism is no good for him. In the end, the foursome flee to the border, but are pursued by Communist forces along the way.

Directing:
  • Leo McCarey
  • Connie Willis
Writing:
  • Leo McCarey
  • Claude Binyon
  • Pearl S. Buck
Stars:
Release Date: Thu, Feb 22, 1962

Rating: 5.1/10 by 14 users

Alternative Title:

Country:
United States of America
Language:
广州话 / 廣州話
English
Runtime: 02 hour 05 minutes
Budget: $0
Revenue: $0

Plot Keyword: priest, church

William Holden
Father O'Banion
Clifton Webb
Father Bovard
Athene Seyler
Sister Agness
Edith Sharpe
Sister Theresa
Robert Lee
Chung Ren
Marie Yang
Ho San's Mother
Andy Ho
Ho San's father
Anthony Chinn
Ho San's Driver
Noel Hood
Sister Justine

CinemaSerf

Clifton Webb is quite effective here as a catholic priest "Fr. Bovard" who must reconcile his rather optimistically dogmatic faith with the arrival of his more worldly and pragmatic assistant "Fr. O'Banion" (William Holden) and the rise of the Communist party as exemplified by his former student "Chung Ten" (Robert Lee) who takes some pleasure in making his erstwhile friend suffer whilst violating their new young cook "Siu Lan" (France Nuyen). What now ensues is a battle of wills that increasingly polarises both men of principle with an underwhelming Holden treading the middle ground. The frequently quite appalling subject matter is pretty clunkily handled; the plot oversimplifies just about everything it touches and ultimately we are left with characterisations that offer the audience little to like or to, until right at the very end, sympathise with. This last film from the usually engaging Webb is hardly a fitting cinematic epitaph, but at least he does do his job - something no-one else on either side of the camera can reasonably claim to do well here.


My Favorite

Welcome back!

Support Us

Like Movienade?

Please buy us a coffee

scan qr code