Day for Night (1973)
A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.
- François Truffaut
- Suzanne Schiffman
- François Truffaut
- Suzanne Schiffman
- Jean-Louis Richard
Rating: 7.8/10 by 585 users
Alternative Title:
戏中戏 - CN
幽灵王国 - CN
日以继夜 - CN
白天不懂夜的黑 - CN
美国之夜 - CN
사랑의 묵시록 - KR
Natteffekt - NO
Effetto Notte - IT
La noche americana - ES
日以作夜 - TW
Country:
France
Italy
Language:
English
Français
Runtime: 01 hour 56 minutes
Budget: $700,000
Revenue: $850,000
Plot Keyword: lovesickness, insurance salesman, movie business, nice, alcoholic, extramarital affair, making of, film director
It's quite hard to succinctly review this Truffaut comedy - there is just so much going on. Essentially, Jacqueline Bisset ("Julie") is brought to Nice to star in a movie about a British woman who is married to a Frenchman. She comes to meet his family and promptly falls in love with her husband's father and so leaves him to shack up with his dad. It turns out, as the production progresses that the producer "Bertrand" (Jean Champion) and the director "Ferrand" (Truffaut himself) have to deal with an whole gamut of issues as the cast - all assembled in a small hotel - come with more baggage than the Queen Mary. "Julie" is recovering from a failed marriage and a nervous breakdown; "Séverine" (Valentina Cortese) is having an affair - but with a bottle, and Jean-Pierre Léaud steals the film as the petulant and high-maintenance "Alphonse". It reminded me a little of Fellini's "8½" from ten years earlier, another behind the scenes as a movie is made story - but it could hardly be more different. Here, the cast and the crew could not have been more dysfunctional - a trait of the creative, I believe - but in the end somehow or other there is a chance the film might actually get made! It is good fun, and the odd contribution from Jean-Pierre Aumont help keep this 2 hour extravaganza moving along entertainingly. Georges Delerue's jaunty score compliments the lovely open-ness of this production, and I really enjoyed this film.