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poster of Loot
Rating: 5.8/10 by 16 users

Loot (1970)

Two bank robbers, Dennis and Hal, are on the run from the police after a successful heist. Needing somewhere to hide the loot, they turn to a funeral parlour where they stash the cash in Hal's recently-deceased mother's coffin. Taking the coffin, they turn to Hal's father and hide it in the bathroom of his hotel. Before long the hotel is host to the eccentric Inspector Truscott.

Directing:
  • Silvio Narizzano
  • Jean Winters
Writing:
  • Joe Orton
  • Ray Galton
  • Alan Simpson
Stars:
Release Date: Fri, May 01, 1970

Rating: 5.8/10 by 16 users

Alternative Title:

Country:
United Kingdom
Language:
Français
English
Runtime: 01 hour 41 minutes
Budget: $0
Revenue: $0

Plot Keyword: robbery, coffin, gay interest, caper, loot, gay couple

Richard Attenborough
Inspector Truscott
Lee Remick
Nurse Fay McMahon
Milo O’Shea
Mr. McLeavy
Dick Emery
Mr. Bateman
Joe Lynch
Father O'Shaughnessy
Aubrey Woods
Undertaker
Enid Lowe
W.V.A. Leader
Harold Innocent
Bank Manager
Jean Marlow
Mrs. McLeavy
Hal Galili
Pallbearer
Edwin Finn
Pallbearer
Chris Wilson
Child at Fairground (uncredited)

CinemaSerf

I have seen this play on stage a few times and I must say that it really does work better there. On screen, even though that does allow for greater location flexibility, the story/farce is just a little too undercooked and slapstick here for my liking. It all centres around "Hal" (Roy Holder) and his pal "Dennis" (Hywel Bennett) who have managed to rob a bank. One works in a funeral parlour, so they hit on the idea of stashing their ill-gotten gains in an as yet unoccupied coffin and to lie low for a while. Hot on their trail is the razor-sharp, wandering-handed, "Insp. Truscott" (Richard Attenborough) and as their secret proves difficult to keep, they have to manage the venal expectations of nurse "Fay" (Lee Remick) too. Like so many of it's genre, the humour is very visual and unsophisticated. Again, on stage that exudes a certain adult pantomime feel to it. On screen, that misses much more often than it hits and the pair of them harrying around their cash in the altogether delivering some rather crude, innuendo-ridden, dialogue smacked more of a "Carry On Coffin" type affair. The ending has a twist and that does raise a smile and Milo O'Shea injects a gentle mischief now and again, but that's not enough to carry the rest of this rather crass and mediocre comedy drama.


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