poster of The Godfather
Rating: 8.694/10 by 19949 users

The Godfather (1972)

Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.

  • Fred T. Gallo
  • Francis Ford Coppola
  • Tony Brandt
  • Nancy Hopton
  • Mario Puzo
  • Francis Ford Coppola
  • Mario Puzo
Release Date: Tue, Mar 14, 1972

Rating: 8.694/10 by 19949 users

Alternative Title:
The Godfather Part 1 - US
The Godfather: The Coppola Restoration - US
Le Parrain 1 - FR
De Peetvader - NL
Le Parrain - 1ère partie - FR
El Padrino I - ES
教父1 - CN
Крёстный отец - RU
Крестный отец - RU
O Poderoso Chefão I - BR
Baba - TR
Krusttēvs - LV
Кум - RS
教父Ⅰ - CN
ゴッドファーザー - JP
Ojciec chrzestny - PL
پدرخوانده - IR
Xaç Atası - AZ
O Padrinho - PT
ゴッドファーザー:1972 - JP
대부 1 - KR
Gudfaren - NO

United States of America
Runtime: 02 hour 55 minutes
Budget: $6,000,000
Revenue: $245,066,411

Plot Keyword: based on novel or book, loss of loved one, love at first sight, italy, symbolism, patriarch, europe, organized crime, mafia, religion, lawyer, revenge motive, crime family, sicilian mafia, religious hypocrisy, gun violence, rise to power, dead horse, gang violence, 1940s, 1950s, mafia war, powerful
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Marlon Brando
Don Vito Corleone
Al Pacino
Michael Corleone
James Caan
Sonny Corleone
Talia Shire
Connie Corleone Rizzi
Gianni Russo
Carlo Rizzi
Sterling Hayden
Captain McCluskey
John Marley
Jack Woltz
Abe Vigoda
Sal Tessio
John Cazale
Fredo Corleone
Al Martino
Johnny Fontane
Morgana King
Mama Corleone
John Martino
Paulie Gatto
Alex Rocco
Moe Greene
Tony Giorgio
Bruno Tattaglia
Tere Livrano
Theresa Hagen
Victor Rendina
Philip Tattaglia
Jeannie Linero
Lucy Mancini
Julie Gregg
Sandra Corleone
Ardell Sheridan
Mrs. Clemenza
Simonetta Stefanelli
Apollonia - Sicilian Sequence
Angelo Infanti
Fabrizio - Sicilian Sequence
Corrado Gaipa
Don Tommasino - Sicilian Sequence
Franco Citti
Calo - Sicilian Sequence
Saro Urzì
Vitelli - Sicilian Sequence
Roman Coppola
Boy on Street Who Attended Funeral (uncredited)
Sofia Coppola
Michael Francis Rizzi (uncredited)
Don Costello
Don Victor Stracci (uncredited)
Italia Coppola
Extra in Wedding Scene (uncredited)
Gray Frederickson
Cowboy on the Set at Woltz's Studio (uncredited)
Ron Gilbert
Usher in Bridal Party (uncredited)
Sonny Grosso
Cop Outside Hospital (uncredited)
Louis Guss
Don Zaluchi (uncredited)
Randy Jurgensen
Sonny's Killer #1 (uncredited)
Tony King
Tony - Stablehand (uncredited)
Tony Lip
Wedding Guest (uncredited)
Joe Lo Grippo
Sonny's Bodyguard (uncredited)
Lou Martini Jr.
Boy at Wedding (uncredited)
Raymond Martino
Corleone Family Member (uncredited)
Joseph Medaglia
Priest at Baptism (uncredited)
Carol Morley
Night Nurse (uncredited)
Rick Petrucelli
Lou - Sollozzo's Driver (uncredited)
Sal Richards
Drunk (uncredited)
Tom Rosqui
Rocco Lampone (uncredited)
Frank Sivero
Street Extra (uncredited)
Filomena Spagnuolo
Extra in Wedding Scene (uncredited)
Joe Spinell
Willi Cicci (uncredited)
Gabriele Torrei
Enzo the Baker (uncredited)
Nick Vallelonga
Wedding Party Guest (uncredited)
Conrad Yama
Fruit Vendor (uncredited)


The Godfather Review by Al Carlson The Godfather is a film considered by most to be one of the greatest ever made. From The American Film Institute to as voted by users on the Internet Movie Database (IMDB) it is consider to be one of the best. As a film that ranks as high as other masterpieces including Citizen Kane, Pulp Fiction and 12 Angry Men, The Godfather is an exceptional piece of cinema excellence that is flawless and is simply the pinnacle crime drama. The Godfather revolves around the Corleone’s, an Italian family with deep roots in the New York City mafia. The head of the Corleone’s is Don Vito Corleone, a man who takes care of his family and demands respect in return. His son Michael however, who just returned home from World War II, doesn’t want to become involved with the family business. The Sollozzo’s, a family of drug dealers, confront Don and request protection in exchange for profits from the Sollozzo’s drug sales. But Don declines the offer, for he is against selling narcotics. The rejected offer starts what turns into an all out mafia war between the two families with Michael diving deep into the mafia lifestyle. The characters are portrayed by a legendary all-star cast including Marlon Brando as Don, Al Pacino as his son Michael and James Caan as Don’s oldest son Sonny. The casting for this film has been considered by many to be the best casted film in history for their astonishing performances. All three main actors were nominated for an academy award, but only Marlon Brando won an Oscar for best actor in a leading role. It’s fascinating to watch how these characters change over the course of the movie, with one in particular changing drastically. Directer Francis Ford Coppola, being raised in an Italian-American family in New York, understood Italian culture exceptionally and made the film very authentically. Everything from the wedding dances to the cuisine to the terms used by the characters in Sicilian come from Coppola’s first-hand knowledge of Italian-American culture. Italian composer Nino Rota did an outstanding job making the soundtrack for the film, despite not getting the Oscar for best music (but he did win an Oscar for his work in the sequel, The Godfather: Part II). Virtually everyone recognizes that iconic trumpet solo once it starts playing. He also wrote the score for another great Italian film 8 1/2. This film should be immediately followed up by it’s sequel, The Godfather: Part II, which also won best picture. The series still holds the title of most best picture awards for a film series to this day. They’re both flawless crime dramas and have earned their titles as some of the best pieces of cinema ever. I will guarantee you won’t be able to see this film only once, as it gets better after continual viewings. There is really nothing more to add other than if you haven’t seen this movie yet, it’s about time you did. The Godfather is a movie you can’t refuse.


The best movie ever... A masterpiece by the young and talented Francis Ford Coppola, about a Mob family and their drama, the story telling is perfect, the acting good, sometimes a little over the top in the case of Thalia Shire (the sister of the director) The 70's were the best years for Hollywood.


While I'm writing this, The Godfather is still beloved by people who love it simply because they are told they have to love it. It's written by a mobster with the sole intention of depicting the lead mobsters as demi gods. Every line and every scene in the movie and the book is meant to intimidate people into thinking the "Mafia" and really any mob, is a supernatural force. This is a movie glorifying control freaks, and most critics are control freaks, and most critics are either in the mob or think they can join the mob. The movie itself is dull and totally uninspiring, not to mention totally uninspired. For fifty years, the sheep have been cowing to the control freaks who tell them to love this movie that degrades them. There just isn't anything favorable about this movie. It owes its success to people who have interests in the movie or think they can get brownie points with such people. It's totally Hollywood in its depressing nature, and even in the seventies it was a formula film.


When you get a story written quite this magnificently it would take an extreme amateur to screw it up - and Francis Ford Coppola is no amateur. Marlon Brando, Al Pacino, James Caan and Robert Duvall represent the epitome of guile, sophistication, loyalty, honour and brutality in this self-adapted Mario Puzo story of the unambiguously ambitious "Corleone" family - they start with nothing and so the only way is up; however and whatever they need to do to get there. The characterisations are layered and colourful; Diane Keaton has no idea what she's getting herself into! John Cazale is great as the spineless brother "Fredo" too. Once again, Nino Rota pulls out all the stops to give this a score that helps cement this film's place as amongst the best ever made. My only criticism, and it is slight at that, is that the audio mix could have done with a bit of a boost. Much of the dialogue - especially from Brando - verges on the inaudible at times.


Great Movie **Ever**

My Favorite

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