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poster of Flashdance
Rating: 6.5/10 by 1455 users

Flashdance (1983)

Alex Owens, a teen juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.

Directing:
  • Adrian Lyne
  • Joanie Blum
  • Albert M. Shapiro
  • Marty P. Ewing
Writing:
  • Thomas Hedley Jr.
  • Joe Eszterhas
  • Thomas Hedley Jr.
Stars:
Release Date: Thu, Apr 14, 1983

Rating: 6.5/10 by 1455 users

Alternative Title:
Le Feu de la danse - CA
Flashdance: Em Ritmo de Embalo - BR
Флашданс - BG
Electrodanza - MX
Flashdance: Stralucirea dansului - RO
Flešdens - RS
Танец-вспышка - RU
フラッシュダンス:1983 - JP
Flashdance - ES

Country:
United States of America
Language:
English
Runtime: 01 hour 35 minutes
Budget: $7,000,000
Revenue: $201,500,000

Plot Keyword: dancing, dance, locksmith
Subtitle   Wallpaper   Watch Trailer    

JPV852

Entertaining drama with an amazing soundtrack and great performance from Jennifer Beals. Not the strongest story at times but still was enthralled through its reasonable 90-minute running time. **3.75/5**

CinemaSerf

Aside from the toe-tapper that was Irene Cara's title song, the rest of this film is really only notable because it shows the sheer determination of a young woman - "Alex" (Jennifer Beals) to make it. Initially, in a man's world as a welder more than holding her own, whilst at the same time she wants to swap her night-time dancing pole for a ballet school bar and prove that she has what it takes to become a top dancer too. Fortunately, her wealthy boss is also her boyfriend, and "Nick" (Michael Nouri) is keen to help her along - sometimes a little too keen, which can lead to the odd bit of tension as she finds herself with an audition that could change everything. It is a very positive-looking film with an upbeat theme and that helps carry what is otherwise a really rather poorly acted affair with some clunky dialogue and a narrative that follows a fairly predictable pattern - before the ending that we just know is coming. Laura Branigan and Giorgio Moroder had a hand in the rest of the soundtrack, which when you watch this film again after all but forty years proves remarkably memorable (if not great). Like it or not, this was a groundbreaking piece of cinema that though it struggles to exude much punch now, certainly did quite a lot - cinematically speaking - back then. Benefits from big screen audio, and is still worth a watch if you are of a certain age.


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