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poster of The Trespasser
Rating: 6.667/10 by 12 users

The Trespasser (1929)

A stenographer who works for a lawyer falls in love with and marries a wealthy young man. His family has the marraige annulled, after which she gives birth to a child. Her former boss helps her out to ensure the child's welfare, which starts gossip that she is a "kept woman."

Directing:
  • Edmund Goulding
Writing:
  • Edmund Goulding
Stars:
Release Date: Mon, Nov 11, 1929

Rating: 6.667/10 by 12 users

Alternative Title:

Country:
United States of America
Language:
English
Runtime: 01 hour 30 minutes
Budget: $0
Revenue: $0

Plot Keyword: pre-code, stenographer

Gloria Swanson
Marion Donnell
Robert Ames
Jack Merrick
Purnell Pratt
Hector Ferguson
Wally Albright
Jack Merrick
William Holden
John Merrick Sr.
Blanche Friderici
Miss Potter the Nurse
Kay Hammond
Catherine 'Flip' Merrick
Mary Forbes
Mrs. Ferguson
Marcelle Corday
Blanche the Maid
Henry Armetta
Barber (uncredited)
Brooks Benedict
Reporter (uncredited)
Billy Bevan
Reporter (uncredited)
Ed Brady
Fred the Moving Man (uncredited)
Allan Cavan
Doctor (uncredited)
Richard Cramer
Reporter (uncredited)
Bobby Dunn
Milkman (uncredited)
Stuart Erwin
Reporter (uncredited)
William H. O'Brien
Butler (uncredited)
Lloyd Whitlock
Board Member (uncredited)

CinemaSerf

Proof, if it were ever going to really be required, that Gloria Swanson could take to talking pictures like a duck to water. Her first complete talkie is a bit convoluted, but somehow that just serves to shine a bit more light on her ability to carry it through. She is "Marion", a secretary who marries the rather hen-pecked son "Jack" (Robert Ames) of a millionaire. The father "Merrick" (the original William Holden) is having none of it and insists on getting it annulled. "Jack" proves pretty spineless and eighteen months later she finds herself living off her new boss with a secret baby whilst he has married some more "suitable" lady. Tragedy strikes the new wife, and her meal-ticket boss, though - and she is soon somewhat on her uppers and the story comes sort of full circle. Swanson manages the character of "Marion" very well indeed. The young, flighty gal in love with "Jack" becomes the maternal, stoic - even a somewhat repentant lady as the story concludes. The photography can be both sweeping and intimate and helps creates an effective ambiance well too. Swanson's singing is front and centre - not always obviously connected with the storyline, or the mood - but she can certainly hold a tune, especially with a nice rendition of Enrico Toselli's delightful "Serendade". The supporting cast do their jobs, little more - but this is all about Gloria, and is well worth catching up with.


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