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poster of Sunrise: A Song of Two Humans
Rating: 7.8/10 by 801 users

Sunrise: A Song of Two Humans (1927)

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

Directing:
  • F. W. Murnau
  • Herman Bing
Writing:
  • Hermann Sudermann
  • Carl Mayer
Stars:
Release Date: Fri, Nov 04, 1927

Rating: 7.8/10 by 801 users

Alternative Title:
Sunrise - A Song of Two Humans - US
Sunrise - US
日出:两个人的爱情之歌 - CN
Sonnenaufgang - AT
Изгрев: Песен за две човешки души - BG
Solopgang - DK
Päikesetõus - EE
Sonnenaufgang - DE
Auringonnousu: Laulu kahdesta ihmisestä - FI
L'aurore - FR
Wschód slonca - PL
Схід сонця - UA
Amanecer - ES

Country:
United States of America
Language:
No Language
Runtime: 01 hour 34 minutes
Budget: $0
Revenue: $1,636,000

Plot Keyword: adultery, lake, love triangle, pig, marriage crisis, country life, indian summer , redemption, rural area, storm, silent film, farmer, troubled marriage, german expressionism, preserved film

George O’Brien
The Man (Anses)
Janet Gaynor
The Wife (Indre)
Margaret Livingston
The Woman from the City
J. Farrell MacDonald
The Photographer
Jane Winton
The Manicure Girl
Arthur Housman
The Obtrusive Gentleman
Eddie Boland
The Obliging Gentleman
Herman Bing
Streetcar Conductor (uncredited)
Sidney Bracey
Dance Hall Manager (uncredited)
Gino Corrado
Manager of Hair Salon (uncredited)
Vondell Darr
(uncredited)
Sally Eilers
Woman in Dance Hall (uncredited)
Gibson Gowland
Angry Driver (uncredited)
Thomas Jefferson
Old Seaman (uncredited)
Bob Kortman
Villager (uncredited)
F. W. Murnau
Dancer (uncredited)
Barry Norton
Ballroom Dancer / Kissing Couple (uncredited)
Robert Parrish
Boy (uncredited)
Sally Phipps
Ballroom Dancer / Kissing Couple (uncredited)
Harry Semels
Carnival Gallery Man with Pig (uncredited)
Phillips Smalley
Head Waiter (uncredited)
Leo White
Barber (uncredited)
Clarence Wilson
Money Lender (uncredited)

Andres Gomez

Interesting but much more for how the movies were done back in 1927 and how the relationships between men and women were understood.

CinemaSerf

Wow! Friedrich Murnau really did pull out all of the stops for this gorgeously complex and beautiful story - that is entirely based on human character flaws that ordinarily might make one squirm... None of the characters actually have names, but George O'Brien is contentedly married to Janet Gaynor, living on their farm with their young child. One day, he happens upon the visiting Margaret Livingstone - an urban sophisticate with whom he is soon captivated. Conscious of his duty to his wife, he is reluctant to join her in the big city, so she rather malevolently suggests that he and his wife fake a boating accident in which she drowns and he survives... Disgracefully, he agrees and so the couple set out on their trip, but when he tries to push her overboard he bottles it and she flees in terror into the city where he finally catches up with her, and craves her forgiveness. Luckily for him, she agrees and the couple spend a charming day together experiencing all the luxuries the metropolis can offer before being caught in the mother of all storms as they head home at the end of their day. Try as he might, though, he cannot put the memory of the other woman behind him, and his thoughts take a much darker turn... The story is basically a tale of good vs. evil, temptation and sin - and not always presented in any clear cut scenario. Despite being a thoroughly odious and selfish man, I didn't hate O'Brien's character - weak and fickle is it was; and the temptress Livingstone isn't hateful either - it's all about human nature and what makes us tick - warts and all. The photography is super - especially in the salon where they are both pampered and seduced, and the storm sequence at the end is also very effective. By 1927, silent films had learned the art of condensing their stories - and this is done really well here, too. The film has a pace that doesn't linger long, and is really a joy to watch.


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