Place of Birth: Port Huron, Michigan, USA
Colleen Moore
Colleen Moore (born Kathleen Morrison, August 19, 1899 – January 25, 1988) was an American film actress who began her career during the silent film era. Moore became one of the most fashionable and highly-paid stars of the era and helped popularize the bobbed haircut. A huge star in her day, approximately half of Moore's films are now considered lost, including her first talking picture from 1929. What was perhaps her most celebrated film during her lifetime, Flaming Youth (1923), is now mostly lost as well, with only one reel surviving. Moore took a brief hiatus from acting between 1929 and 1933, just as sound was being added to motion pictures. After the hiatus, her four sound pictures released in 1933 and 1934 were not financial successes. Moore then retired permanently from screen acting.
Movie | Cast | Year |
---|---|---|
The Scarlet Letter | Hester Prynne | 1934 |
The Devil's Claim | Indora | 1920 |
Lilac Time | Jeannine | 1928 |
The Power and the Glory | Sally Garner | 1933 |
Ella Cinders | Ella Cinders | 1926 |
Orchids and Ermine | 'Pink' Watson | 1927 |
The Sky Pilot | Gwen | 1921 |
Success at Any Price | Sarah Griswold | 1934 |
Social Register | Patsy Shaw | 1934 |
A Roman Scandal | Mary | 1919 |
Irene | Irene O'Dare | 1926 |
The Busher | Mazie Palmer | 1919 |
Why Be Good? | Pert Kelly | 1929 |
Synthetic Sin | Betty Fairfax | 1929 |
Come on Over | Moyna Killiea | 1922 |
The Little American | Maid (uncredited) | 1917 |
Broken Hearts of Broadway | Mary Ellis | 1923 |
Fragments: Surviving Pieces of Lost Films | Herself (archive footage) | 2011 |
So Big | Selina Peake | 1924 |
Naughty But Nice | Bernice Sumners | 1927 |
Broken Chains | Mercy Boone | 1922 |
Through the Dark | Mary McGinn | 1924 |
Flaming Youth | Patricia Fentriss | 1923 |
The Nth Commandment | Sarah Juke | 1923 |
Her Bridal Night-Mare | Mary | 1920 |
Little Orphant Annie | Annie | 1918 |
Twinkletoes | Twink 'Twinkletoes' Minasi | 1926 |
The Ninety and Nine | Ruth Blake | 1922 |
Footlights and Fools | Betty Murphy / Fifi D'Auray | 1929 |
The Bad Boy | Ruth | 1917 |
Hands Up! | Marjorie Houston | 1917 |
An Old Fashioned Young Man | Margaret | 1917 |
Her Wild Oat | Mary Brown | 1927 |
We Moderns | Mary Sundale | 1925 |
The Perfect Flapper | Tommie Lou Pember | 1924 |
Painted People | Ellie Byrne | 1924 |
The Huntress | Bela | 1923 |
The Lotus Eater | Mavis | 1921 |
His Nibs | The Girl | 1921 |
The Cyclone | Sylvia Sturgis | 1920 |
Dinty | Doreen O'Sullivan | 1920 |
When Dawn Came | Mary Harrison | 1920 |
Oh Kay! | Lady Kay Rutfield | 1928 |
So Long Letty | Grace Miller | 1920 |
The Savage | Lizette | 1917 |
The Man in the Moonlight | Rosine Delorme | 1919 |
Why Be Good?: Sexuality & Censorship in Early Cinema | Self (archive footage) | 2007 |
April Showers | Maggie Muldoon | 1923 |
Ben-Hur: A Tale of the Christ | Chariot Race Spectator (uncredited) | 1925 |
Sally | Sally | 1925 |
Flirting with Love | Gilda Lamont | 1924 |
A Hoosier Romance | Patience Thompson | 1918 |
The Prince of Graustark | Maid (uncredited) | 1916 |
The Wilderness Trail | Jeanne Fitzpatrick | 1919 |
The Egg Crate Wallop | Kitty Haskell | 1919 |
The Wall Flower | Idalene Nobbin | 1922 |
Common Property | Tatyoe - "Tatyana" | 1919 |
Forsaking All Others | Penelope Mason | 1922 |
Smiling Irish Eyes | Kathleen O'Connor | 1929 |
The Wampas Baby Stars of 1922 | Self | 1922 |
Affinities | Fanny Illington | 1922 |
Look Your Best | Perla Quaranta | 1923 |
Slippy McGee | Mary Virginia | 1923 |
It Must Be Love | Fernie Schmidt | 1926 |
Happiness Ahead | Mary Randall | 1928 |
The Desert Flower | Maggie Fortune | 1925 |
Life in Hollywood No. 2 | Herself | 1927 | Series | Cast | Year |
The American Film Institute Salute to ... | Self | 1973 |
Hollywood | Self | 1980 |