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Fallen Leaves Return to Film (2016)
Lying quietly in a cine-camera, a film awaits to fulfill its responsibility of projecting 24 frames of images per second after exposure. Nonetheless, I prefer rolling out films outright and fiddling with them by pigments application, collage, scratch, cut-and-mix, etc. Since these are camera-less measures, the projection is unpredictable, surprising, and often so astonishing that I would be mesmerized.
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