poster of The Wolf of Wall Street
Rating: 8/10 by 13099 users

The Wolf of Wall Street (2013)

A New York stockbroker refuses to cooperate in a large securities fraud case involving corruption on Wall Street, corporate banking world and mob infiltration. Based on Jordan Belfort's autobiography.

  • Martin Scorsese
  • Holly Unterberger
  • Robert Legato
  • Adam Somner
  • Terence Winter
  • Jordan Belfort
Release Date: Wed, Dec 25, 2013

Rating: 8/10 by 13099 users

Alternative Title:
华尔街狼人 - CN
Wilk z Wall Street - PL
A Wall Street farkasa - HU
더 울프 오브 월 스트리트 - KR
El Lobo de Wall Street - ES
Wolf of Wall Street, The - US
گرگ وال استریت - IR
Ο Λύκος Της Wall Street - GR
Вълкът от Уолстрийт - BG
Volstryto vilkas - LT
Para Avcisi - TR
Le Loup de Wall Street - FR
더 울프 오브 월스트리트 - KR

United States of America
Runtime: 03 hour 00 minutes
Budget: $100,000,000
Revenue: $392,000,694

Plot Keyword: corruption, drug addiction, anti hero, con man, fraud, wall street, rise and fall, con artist, stockbroker, wealthy, drugs, stripping, hedonism, decadence, 1980s, sharemarket fraud, financial market, black monday

Leonardo DiCaprio
Jordan Belfort
Jonah Hill
Donnie Azoff
Margot Robbie
Naomi Lapaglia
Kyle Chandler
Agent Patrick Denham
Rob Reiner
Max Belfort
Jon Bernthal
Brad Bodnick
Kenneth Choi
Chester Ming
P. J. Byrne
Nicky Koskoff ('Rugrat')
Brian Sacca
Robbie Feinberg ('Pinhead')
Henry Zebrowski
Alden Kupferberg ('Sea Otter')
Jon Favreau
Manny Riskin
Cristin Milioti
Teresa Petrillo
Jake Hoffman
Steve Madden
Ethan Suplee
Toby Welch
Jean Dujardin
Jean-Jacques Handali
Shea Whigham
Captain Ted Beecham
Bo Dietl
Bo Dietl
Jon Spinogatti
Nicholas the Butler
J.C. MacKenzie
Lucas Solomon
Ashlie Atkinson
Rochelle Applebaum
Ted Griffin
Agent Hughes
Sandra Nelson
Aliyah Farran
Dan Bittner
Rothschild Broker #1
Thomas Middleditch
Stratton Broker in a Bowtie
Edward Herrmann
Stratton Oakmont Commercial (voice)
Jordan Belfort
Auckland Straight Line Host
Fran Lebowitz
Honorary Samantha Stogel
Robert Clohessy
Nolan Drager (Jordan's Lawyer)
Danny Flaherty
Zip (Lude Buying Teenager #1)
Aaron Lazar
Blair Hollingsworth
Steve Routman
SEC Attorney #1
Steve Witting
SEC Attorney #2
Charley Morgan
SEC Attorney #3
Michael Nathanson
Barry Kleinman
Kathleen Fellegara
Straight Line Testimonial #1
John Behlmann
Rothschild Broker #2
Ward Horton
Rothschild Broker #3
Bret Shuford
Rothschild Broker #4
J.T. O'Connor
Rothschild Broker #8
Steven Boyer
Investor's Center Broker #1
Danny A. Abeckaser
Investor's Center Broker #2
Matthew Rauch
Stratton Broker #1
Michael Izquierdo
Stratton Broker #2
Donnie Keshawarz
Stratton Broker #3
Johnathan Tchaikovsky
Stratton Broker #4
Aaron Glaser
Stratton Broker #5
Ben Rameaka
Stratton Broker #6
Chris Riggi
Party Broker #1
Meghan Rafferty
Donnie's Assistant
José Ramón Rosario
Maitre d' Hector
Davram Stiefler
Broker in Men's Room
Dan Daily
Honorary Raymond Samitz
Ben Van Bergen
Swiss Customs Officer #1
Matte Osian
Swiss Customs Officer #2
Jeremy Bobb
Police Officer #2
Tom Greer
Brookville Police Officer #2
Sharon Jones
Wedding Singer #1
Zineb Oukach
Hostess on The Naomi
Giselle Eisenberg
Skylar Belfort (4 Years Old)
Deema Aitken
Lude Buying Teenager #2
Ashley Springer
Job Applicant #1
Paul Urcioli
FBI Agent #2
Michael O'Hara
Prison Guard
Michael Bryan French
Inmate Playing Tennis #2
Armen Garo
Rao's Patron #1
Garry Pastore
Rao's Patron #2
Louis Vanaria
Rao's Patron #3
Peter Youngblood Hills
Audience Member #1
Brendan Griffin
Audience Member #3
Derek Milman
Audience Member #4
Victor Verhaeghe
Audience Member #5
Fileena Bahris
Wedding Guest (uncredited)
Silvia Kal
Wedding Guest (uncredited)
Kamron Leal
Wedding Guest (uncredited)
Tommy Bayiokos
Kacandes Diner Man (uncredited)
Gianni Biasetti Jr.
Italian Coastguard (uncredited)
Rick Bolander
Broker (uncredited)
Spenser Granese
Broker (uncredited)
Julian Brand
Stratton Broker (uncredited)
Kenneth Carrella
Stratton Broker (uncredited)
Austin Farwell
Stratton Broker (uncredited)
Zach Miko
Stratton Broker (uncredited)
Tyler Evan Rowe
Stratton Broker (uncredited)
Stefano Villabona
Stratton Broker (uncredited)
Gregory Brown
Upper Eastside Pedestrian (uncredited)
Tucker Bryan
Wolfpack #4 (uncredited)
Michael Jefferson
Wolfpack #1 (uncredited)
Bryan Burton
Young Stratton Inc. Broker (uncredited)
Mike Catapano
Broker Applicant (uncredited)
Steven Conroy
Audience Member (uncredited)
Kelsey Deanne
Pool Party Guest (uncredited)
Maria Di Angelis
Nicky Koskoff's Escort (uncredited)
Matthew Gooley
Tai Chi Inmate (uncredited)
London Hall
Swiss Airline Passenger (uncredited)
Rosemary Howard
Rao's Pedestrian (uncredited)
Chris Kerson
Kimmie Belzer's Desk Mate (uncredited)
Ben Leasure
Brantley (uncredited)
Paul Jude Letersky
Marina Sightseer (uncredited)
Will MacAdam
Irritated Plane Passinger (uncredited)
Jeff Moffitt
Party Goer (uncredited)
Chris Nunez
Miami Busboy (uncredited)
Seregon O'Dassey
Masseuse to Donnie Azoff (uncredited)
Joseph Oliveira
Court Room Attendant (uncredited)
And Palladino
Stratton Applicant (uncredited)
Michael Power
Seminar Guest (uncredited)
Jon Douglas Rainey
Strattonite (uncredited)
Nicole Rutigliano
Stripper (uncredited)
Sibyl Santiago
Convention Attendee (uncredited)
Kathryn Shasha
Courtroom Observer (uncredited)
Vitaliy Shtabnoy
Kent - Broker (uncredited)
Blago Simon
Stock Broker (uncredited)
Paul Thornton
1st Class Swiss Airline Passenger (uncredited)
Madeleine Wade
Call Girl (uncredited)
David Wenzel
Banker (uncredited)
Joe Zaso
Rudy (uncredited)
Francis Brooke
Conference Attendee (uncredited)


The Wolf of Wall Street is so addicting to watch, that even with it's 3 hour long run time, you wont be surprised if you end up watching it four days in a row.
This is Scorsese letting loose and having fun, showing all of the debauchery (and man, is there a lot) in all of it's glory. There are orgies, sex, nudity, copious amounts of drug use, and it now holds the record for the most use of fuck in any film.
Leonardo DiCaprio gives a towering and hilarious performance as Jordan Belfort. He throws himself into the role with free abandon, while also showing that he's aces when it comes to comic timing and physical comedy. If he doesn't win an Oscar this season I'll be quite upset, though Matt from Dallas Buyers Club rightfully deserves it as well. But this is a 3 hour long film, and Leo is in every single second of every single scene. He's ferocious, hilarious, out of his mind, and flat out brilliant.
The supporting players are tops as well. I was somewhat baffled when Jonah Hill earned a nominee for Moneyball, but this time around he rightfully deserves this years nominations. With his pearly white teeth, charisma, while also throwing himself into the role with no fear, this is without a doubt his greatest work as an actor to date. The real find, however, is Margot Robbie. Strikingly beautiful, her character could have been one note, but she also hits the ball out of the court. Even Matthew Macconaughey steals the show with only one scene.
Dangerously funny, superbly edited, and with a delicious, irreverent, savage bite. The Wolf of Wall Street is Scorsese at his wildest. And it goes without saying, that this is one of the best films of last year. Just stay away if you are in any way a prude or conservative. Rated R- Graphic nudity, strong sexual content, drug use throughout, pervasive language, and some violence.

Andres Gomez

An excessive movie in all possible senses with breath taking Margot Robbie and Jonah Hill which is not long in spite of its 3h length but which ends not knowing exactly which is the point of the story.


**Voracious Bull** Every time I try to enjoy a Martin Scorcese movie post-1980 I ask myself what made _Raging Bull_ so great? Did Marty burn out after his Jake LaMotta bio, the same way Coppola did after _Apocalypse Now_? These were risky movies, driven by passion, bordering on madness. Did Marty and Francis lose their natural passion for making films because industry priorities dismissed 70's-style hyper-realism for sensational summer blockbusters and CGI spectacles? And why is Scorcese considered one of the greatest director when he really only made one truly superb movie? When I first saw _Raging Bull_ in 1980 I immediately knew I was watching something that transcended the typical cinematic experience. Genius was shimmering out of every perforated frame flickering on the screen. Paul, Marty, Bobby, Mike and Thelma created something that was completely absorbing. The style and substance was perfectly fueled by a flawless emotional narrative. Every element was orchestrated just right. The audience was spellbound. We were watching greatness. A rare and unique organic creation. I'm still waiting for Robert Redford to correct a travesty of justice and hand his Ocscar over to it's rightful owner. And I'm still waiting for Scorcese to match his own brilliance. But that's like expecting Tarantino to top _Pulp Fiction_. There's a better chance Orson Welles rises up from the dead to one up _Citizen Kane_. After _Raging Bull_, Scorcese has made a string of pictures ranging from not bad to pretty good. All well-made, thoughtful and meticulously crafted films, but nothing special; certainly nothing profound. Contrary to popular opinion, _Goodfellas_ is not a great movie. I was not swept away by the saga. I was annoyed rather by the fragmented non-stop soundtrack and incessant up-tempo style. Marty wasn't risking anything anymore. He seemed to be afraid of boring the audience. Perhaps he was trying to revive the 1940's never-let-up screwball-bouncing farcical Preston Sturges and co. comedies. But this is a mafia film. This should have been right up Marty's alley. It's been almost a quarter of a century since De Niro got his face busted in a boxing ring. Since the raw, robust and naive will-power of LaMotta's youth plunged into the pathetic, brutal, bone-headed stupidity of his later years. Similarly, Scorsese hasn't registered a knock-out punch since. Would his ensuing movies be considered great if someone else directed them? Would I have liked them all better if Raging Bull had never been made? _The Wolf of Wall Street_ is another exhausting affair. It tries too hard to excite and entertain us. It's afraid of slowing down, allowing us to ponder or examine the complexities of excessive greed, shameless wealth and unbridled capitalism. It desperately wants to arouse us. Like a neglected clown at a child's birthday trying to be loved and taken seriously while draining the life out of the party. Give Leo and Jonah an "A" for effort. They couldn't have tried harder if they broke out into song and dance every ten minutes. And they convincingly appeared to enjoy themselves freely indulging in coke, ludes and naked women every five minutes. It was nice of Leo to step back while Margot Robbie took her routine and obligatory, supporting-actress hissy fit. And you know a filmmaker has a lot of faith and confidence in his work when a superfluous narration track is added, to plug those terrifying noiseless gaps. Whatever happened to poignant, suspenseful, sure-footed, gripping, emotionally-arresting dramas that take you on a nervy, wild ride to a thoroughly gratifying climax? A truly great director from Kurosowa to, well, Scorcese-(circa 1979) would have plotted the rise and fall of a maniacal protagonist along deeper and more affecting lines even at the risk boring its audience for one minute.

My Favorite

Welcome back!