+

poster of The Battle of El Alamein
Rating: 5.3/10 by 26 users

The Battle of El Alamein (1969)

June 1942. As Rommel swept toward the Nile, the fall of Egypt and the capture of the Suez Canal seemed inevitable. Italian and German advance units raced toward Alexandria. Mussolini had given explicit orders: The Italians must arrive first!

Directing:
  • Giorgio Ferroni
  • Maria Luisa Rosen
  • Roberto Pariante
  • Fernando Popoli
Writing:
  • Ernesto Gastaldi
  • Remigio Del Grosso
  • Ernesto Gastaldi
Stars:
Release Date: Wed, Jan 01, 1969

Rating: 5.3/10 by 26 users

Alternative Title:

Country:
France
Italy
Language:
Italiano
Runtime: 01 hour 36 minutes
Budget: $0
Revenue: $0

Plot Keyword: tank, north africa

George Hilton
Lieutenant Graham
Robert Hossein
Erwin Rommel
Michael Rennie
Bernard Law Montgomery
Sal Borgese
Private Kapow
Nello Pazzafini
Italian Sergeant
Riccardo Pizzuti
Private Jailbird
Gérard Herter
General Schwartz
Ettore Manni
Italian Captain
Tom Felleghy
Ritter von Thoma
Andrea Fantasia
Rommel's Doctor
Renato Romano
General Clifton
Luciano Catenacci
Sergeant O'Hara
Massimo Righi
Italian Soldier

CinemaSerf

This could have been interesting, because it takes the perspective of the Italian troops charged by Mussolini with the capture of Alexandria in the 1942 North African campaign. It has a stab at drafting in an internationally recognised cast - Michael Rennie is Field Marshal Montgomery, and Robert Hossein features sparingly as Rommel, but for the most part this consists of a mediocre cast that I found made it quite difficult to distinguish between who was who, and on whose side! The dubbing didn't help, either, with the accents all but indistinguishable from each other and the quality of the production offered us visuals that are frequently just as confusing. There are plenty of pyrotechnics, and some quite well staged battles - especially with the foxholes and tanks towards the end, but the narrative is weak suggesting a disorganised and haphazard strategy from the Axis powers that did nobody any justice, historically. Sure, it doesn't help either that we all know what actually happened but I felt this could, with a bit more focus from the writing (and some quality talent in the dubbing suite), have offered us an interesting counter-balance to the accepted cinematic versions from this exciting and perilous theatre of WWII.


My Favorite

Welcome back!

Support Us

Like Movienade?

Please buy us a coffee

scan qr code