The Girl with the Dragon Tattoo (2009)
Swedish thriller based on Stieg Larsson's novel about a male journalist and a young female hacker. In the opening of the movie, Mikael Blomkvist, a middle-aged publisher for the magazine Millennium, loses a libel case brought by corrupt Swedish industrialist Hans-Erik Wennerström. Nevertheless, he is hired by Henrik Vanger in order to solve a cold case, the disappearance of Vanger's niece
- Niels Arden Oplev
- Daniel Chilla
- Maria Billberg
- Lotta Westberg
- Rasmus Heisterberg
- Nikolaj Arcel
- Stieg Larsson
- Camilla Ahlgren
- Jenny Gilbertsson
- Eva Svenstedt Ward
- Sigrid Strohmann
Rating: 7.531/10 by 2939 users
Alternative Title:
Mænd der hader Kvinder - DK
Män som hatar kvinnor - SE
Millenium 1 - Mannen die vrouwen haten - NL
Mannen die vrouwen haten - NL
Millennium 1: Los hombres que no amaban a las mujeres - ES
Millennium: Os Homens Que Não Amavam as Mulheres - BR
Millennium 1. Os Homens que Odeiam as Mulheres - PT
Millennium - ES
Millennium I - ES
Los hombres que no amaban a las mujeres - MX
Miehet jotka vihaavat naisia - FI
Millénium, le Film - CA
Millénium - FR
Millennium: Mężczyźni, którzy nienawidzą kobiet - PL
Millenium: Part 1 - The Girl With The Dragon Tattoo - SE
Millenium - I - The Girl With The Dragon Tattoo - SE
Millennium 1: The Girl with the Dragon Tattoo - US
Menn som hater kvinner - NO
A tetovált lány - HU
Karlar Sem Hata Konur - IS
龍紋身的女孩 - TW
Stieg Larsson - Verblendung - DE
Maend der hader kvinder - DK
Die Millenium Trilogie 1 - Verblendung - DE
밀레니엄: 제1부 여자를 증오한 남자들 - KR
Дівчина з тату дракона - UA
Verblendung - DE
Country:
Denmark
Germany
Norway
Sweden
Language:
svenska
English
Runtime: 02 hour 32 minutes
Budget: $13,000,000
Revenue: $109,421,911
Plot Keyword: journalist, island, bondage, rape, strong woman, hacker, based on novel or book, blow job, antisocial personality disorder, female protagonist, whodunit, newspaper man, millennium, female empowerment, locked room mystery
Oddly, the version of this movie I watched contained both English subtitles and dubbing, and after a while I wished I could turn off the dubbing and go with just the subtitles, so that their mouths would always move at the right times. I watched the U.S. production of this with Daniel Craig many years ago, and I liked it, but I don’t remember it clearly enough to compare the two. My f=general impression, though, is that this original is better. Of course, the Lisbeth character is the real hero here. A rough childhood and beyond have molded her into a tough lady indeed, mentally, physically and emotionally. Oddly enough, she is the only character who seems to show any growth by the end of the film, perhaps partly due to her having so much room to grow emotionally.
