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poster of A Chorus Line
Rating: 6.3/10 by 179 users

A Chorus Line (1985)

A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.

Directing:
  • Richard Attenborough
Writing:
  • Nicholas Dante
  • Michael Bennett
  • Arnold Schulman
  • James Kirkwood Jr.
  • Ed Kleban
Stars:
Release Date: Tue, Dec 10, 1985

Rating: 6.3/10 by 179 users

Alternative Title:
Кордебалет - RU
Chorus Line - Em Busca da Fama - BR
合唱班 - CN

Country:
United States of America
Language:
English
Runtime: 01 hour 57 minutes
Budget: $25,000,000
Revenue: $14,202,899

Plot Keyword: musical, stage show, backstage, urban setting, top hat, choreographer, sensuality, broadway, choreography, big break, broadway musical, ballet school, gay theme

Gregg Burge
Richie Walters
Vicki Frederick
Sheila Bryant
Michelle Johnston
Beatrice Ann 'Bebe' Benson
Janet Jones
Judy Monroe
Pam Klinger
Maggie Winslow
Cameron English
Paul San Marco
Yamil Borges
Diana Morales
Nicole Fosse
Kristine Evelyn Erlich-DeLuca
Justin Ross
Greg Gardner
Jan Gan Boyd
Connie Wong
Matt West
Bobby Mills III
Peter Fitzgerald
Dancer with Gum
Timothy Scott
Boy with Headband
Bambi Jordan
Girl in Yellow Trunks
John Hammil
Advertising Executive
Gloria Lynch
Taxi Passenger
Gregg Huffman
Misfit Boy Dancer
Cole Carpenter
Reject Dancer
Richard DeFabees
Reject Dancer
Jennifer Kent
Reject Dancer
Karen Prunczik
Reject Dancer
Melissa Randel
Reject Dancer
Yvonne Farrow
Dancer (uncredited)
Monique Mannen
Dancer (uncredited)
Keith Nisonoff
Dancer (uncredited)

talisencrw

For what it is--a slice-of-life of a group of people, trying to make the big-time and at least be able to say that they were on Broadway--it's a fine work. I admit I haven't seen the stage play--which many sources say is far superior to this filmic adaptation. I'm rather surprised that: a) Michael Douglas gets star status here, or is even involved. He doesn't dance here. The film would have worked so much better if it showed his character showing some dance moves and getting across to the dancers what he wanted. Both his character would have connected better with the dancers, and he would have connected better with filmgoers; and b) that Lord Richard Attenborough got involved with this: It's definitely not his forte or cup of tea. Perhaps he wanted to expand his directorial palette, or that some of his influences were masters of the genre, such as Lubitsch or Minnelli. Personally, I wish I knew, for he has done much better work in his career. Overall, not one of the better of contemporary (post-1970) musicals, but worth seeing once, if renting or seeing that it's coming on TV. Not a top purchase priority, unless you are a Douglas or Attenborough completest, and then prepare to be disappointed.

CinemaSerf

Were it not for Marvin Hamlisch's "Surprise, Surprise" then I think this film would be even more forgettable than it actually is. Michael Douglas is the hard-to-please Broadway director "Zach" who is casting the dance ensemble for his latest production. Aided by his sidekick "Larry" (Terrence Mann) he pits the would-be's through their paces with rigorous routines and some rather invasive questioning about their lives, families and peccadilloes. I did see this on stage and felt it a rather flat and introspective of an industry that should usually keep it's casting practices under wraps. Here, Richard Attenborough attempts to lay these bare for the big screen and ends up with a rather dull, processional series of footwork demonstrations and sob-stories that are pretty wearisome to endure after a repetitive first half an hour. Alyson Reed clutters the thing up further as the down-on-her-luck "Cassie" who is looking for favours from a man who seems pretty impervious to many of the decent aspects of human nature. The stage setting is too sterile to engage for long, and the characterisations fit just about every stereotype in the book as these youngsters vie for this latest opportunity to shine (and eat!). I didn't hate this, but it's really a rather disappointing foray into the potentially fascinating world of who wins and who doesn't in this highly competitive and fickle environment!


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