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poster of Nine to Five
Rating: 6.896/10 by 485 users

Nine to Five (1980)

Frank Hart is a pig. He takes advantage of the women who work with him in the grossest manner. When his three assistants manage to trap him in his own house, they assume control of his department, and productivity leaps, but just how long can they keep Hart tied up?

Directing:
  • Colin Higgins
  • Gary Daigler
  • Chris Soldo
  • Marshall Schlom
Writing:
  • Colin Higgins
  • Patricia Resnick
  • Patricia Resnick
Stars:
Release Date: Thu, Dec 18, 1980

Rating: 6.896/10 by 485 users

Alternative Title:
9 to 5 - US
9 to 5 - NL
9 to 5 - AU
9 to 5 - GB
나인 투 화이브 - KR

Country:
United States of America
Language:
Français
English
Runtime: 01 hour 50 minutes
Budget: $10,000,000
Revenue: $103,300,000

Plot Keyword: kidnapping, bad boss, tied up, working women, provocative, company reorganization, assertive, melodramatic

Jane Fonda
Judy Bernly
Lily Tomlin
Violet Newstead
Dolly Parton
Doralee Rhodes
Dabney Coleman
Franklin M. Hart Jr.
Sterling Hayden
Russell Tinsworthy
Henry Jones
Mr. Hinkle
Peggy Pope
Margaret Foster
Raymond Vitte
Eddie Smith
Alan Haufrect
Chuck Strell
Earl Boen
Mr. Perkins
Tom Tarpey
Norman Lane
Michael Delano
Motorcycle Cop
Eric Mansker
Mailroom Clerk
Brad David
Medic (as Brad David Stockton)
Raymond O'Keefe
Man in Hospital
Vanna Salviati
Woman in Hospital
Les Jankey
Disabled Office Worker (uncredited)
Berniece Janssen
Extra (uncredited)
David Price
Josh Newstead

CinemaSerf

I can't help but think that if some of the folks churning out the bad-ass "girl power" nonsense of the naughties were to look back at films like this; they might see a clear demonstration of what real girl power actually is... Jane Fonda, Lily Tomlin and Dolly Parton are three working women at various stages of the corporate food chain - presided over by their womanising , parasitic boss Dabney Coleman. Initially suspicious of each other, they unite over some of Tomlin's teenage son's weed and decide to take matters into their own hands. What follows is at times a laugh-out-loud comedy as they manipulate and reek revenge on their hapless, helpless boss. It could never be called subtle, but it does illustrate clearly that wits and guile are more than enough to achieve their aims without the need for long fight scenes; flashing their flesh and/or continuous bad language. The title song isn't bad, ether...


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