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poster of The Cheaters
Rating: 6.6/10 by 8 users

The Cheaters (1945)

An eccentric wealthy family facing bankruptcy schemes to steal an inheritance, but an alcoholic ex-actor they take in for Christmas charity complicates their plan.

Directing:
  • Joseph Kane
Writing:
  • Frances Hyland
  • Frances Hyland
  • Albert Ray
Stars:
Release Date: Sun, Jul 15, 1945

Rating: 6.6/10 by 8 users

Alternative Title:
The Castaway - US

Country:
United States of America
Language:
English
Runtime: 01 hour 27 minutes
Budget: $0
Revenue: $0

Plot Keyword: inheritance, christmas

Joseph Schildkraut
Anthony 'Mr. M.' Marchand
Billie Burke
Clara Pidgeon
Eugene Pallette
James C. Pidgeon
Ona Munson
Florie Watson
Raymond Walburn
Willie Crawford
Ann Gillis
Angela Pidgeon
Ruth Terry
Therese Pidgeon
David Holt
Reggie Pidgeon
Robert Greig
MacFarland
Byron Foulger
Process Server (uncredited)

John Chard

Gratitude in most men is usually a secret desire to receive greater benefits. The Cheaters (also known as The Castaway0 is something of an unknown Christmas movie to the younger cinephile. Or perhaps because it came out of the low-budget Republic Pictures? It's simply just a forgotten one. So much so you will be hard pushed to see it mentioned on any Christmas film lists that flourish around the yuletide season. The film is based around an original story written by Frances Hyland and Albert Ray and concerns a sophisticated family inviting a washed up actor to their home for Christmas. As things progress we learn that this family are using the holiday season to secure a rich uncle's inheritance, but naturally all is not going to be plain sailing. Heading the cast list is Joseph Schildkraut (The Shop Around the Corner), Billie Burke (The Wizard of Oz) and Eugene Palette (The Ghost Goes West). It's directed by Republic house jobber Joseph Kane, with photography and scoring coming from Reggie Lanning & Walter Scharf respectively. So is the film any good though? Well it's safe to say that anyone looking for another old Christmas movie to boost the crimble spirit can safely add this one to their rota. It's very much in the mold of the likes of The Bishops Wife, which of course is no bad thing at all as a point of reference. My chief irk with the picture is that it flatters to deceive. By the midpoint the film has all options open to it, even threatening to be darker and perhaps leaning towards an ending of some surprise. But sadly, and without me crying out for any Pottersville type misery here, the film reverts to type and settles for a warm mince pie and a glass of mulled wine. Again, that's no bad thing at the season we choose to watch it in, but really it promised to be something more. Still, it's a comfortable recommendation for the heart warming seeker. 6/10


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