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poster of The Very Thought of You
Rating: 6.2/10 by 9 users

The Very Thought of You (1944)

Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.

Directing:
  • Delmer Daves
Writing:
  • Alvah Bessie
  • Delmer Daves
  • Lionel Wiggam
Stars:
Release Date: Fri, Oct 20, 1944

Rating: 6.2/10 by 9 users

Alternative Title:

Country:
United States of America
Language:
English
Runtime: 01 hour 39 minutes
Budget: $0
Revenue: $0

Plot Keyword: world war ii, expectant mother, pregnant wife, reconciliation, war effort, soldier on leave, working women, war women, women workers

Dennis Morgan
Sgt. David Stewart
Eleanor Parker
Janet Wheeler
Dane Clark
Sgt. 'Fixit' Gilman
Faye Emerson
Cora 'Cuddles' Colton
Beulah Bondi
Mrs. Harriet Wheeler
Henry Travers
Pop Wheeler
Andrea King
Molly Wheeler
John Alvin
Cal Wheeler
Georgia Lee
Ellie Wheeler
Francis Pierlot
Minister Raymond Houck
Casey MacGregor
Motel Manager (uncredited)
Philip Van Zandt
Assistant Hotel Desk Clerk (uncredited)
John Burton
Wounded Soldier (uncredited)

CinemaSerf

Two American sergeants have a weekend pass from their bitterly cold Aleutian Islands posting before they must report back for new wartime duties, so they head to Pasadena for some some fun. Almost immediately they alight on "Janet" (Eleanor Parker) and "Cora" (Faye Emerson) who work making parachutes. It's "Dave" (Dennis Morgan) who takes a shine to "Janet" - reciprocating a childhood crush, but her wary mother (Beulah Bondi) wants none of him, fearing the dangers to her daughter of a wartime romance. Luckily her father (Henry Travers) is a little more sympathetic, but can they make things work? Meantime, "Cora" has found love with his friend "Fixit" (Dane Clark) and their path is moving along altogether more smoothly. On the face of it, this is just another feel good piece of thinly veiled propaganda, with the script making several references to the war and to the "Japs", but the acting - especially from Parker and Bondi elicits a more genuine sense of romance, yes, but also trepidation and that feeling that striking while the iron is hot may well be the best, or only, way forward. It tempers the sentimental, and there is a fair bit of that, with the realistic in quite an effective fashion taking a plausible look at how people juggled their responsibilities and aspirations in time of great peril and uncertainty. Ray Noble's title song features but sparingly, yet poignantly and the film is far better than that expected from the usual standard WWII spirit-lifter.


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