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poster of Black Angel
Rating: 6/10 by 49 users

Black Angel (1946)

A falsely convicted man's wife, Catherine, and an alcoholic composer and pianist, Martin team up in an attempt to clear her husband of the murder of a blonde singer, who is Martin's wife.

Directing:
  • Roy William Neill
  • Charles S. Gould
Writing:
  • Cornell Woolrich
  • Roy Chanslor
Stars:
Release Date: Fri, Aug 02, 1946

Rating: 6/10 by 49 users

Alternative Title:

Country:
United States of America
Language:
English
Runtime: 01 hour 21 minutes
Budget: $0
Revenue: $0

Plot Keyword: falsely accused, film noir
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Dan Duryea
Martin Blair
June Vincent
Catherine Bennett
Freddie Steele
Lucky, Manager of Rio's
Ben Bard
Bartender
Junius Matthews
Dr. Courtney
John Phillips
Kirk Bennett
Archie Twitchell
George Mitchell
Vilova
Dancer
Robert B. Williams
Second Detective
Florence Auer
Madame (Uncredited)
Ralph Brooks
Interne (Uncredited)
Eddy Chandler
Police Sergeant (Uncredited)
Gary Delmar
Specialty Dancer (Uncredited)
Mary Field
Mavis' Maid (Uncredited)
Dorothy Granger
Woman by Phone Booth (Uncredited)
Eula Guy
Neighbor Lady (Uncredited)
Chuck Hamilton
Pedestrian (Uncredited)
Shep Houghton
Specialty Dancer (Uncredited)
Mauritz Hugo
Gambler (Uncredited)
Georg Kreisler
Pianist (Uncredited)
Clark Kuney
Announcer (Uncredited)
Bud Lawler
Specialty Dancer (Uncredited)
Ann Lawrence
Clerk (Uncredited)
Steve Olsen
Bartender (Uncredited)
Pat Starling
Tap Dancer (Uncredited)
Wally Webb
Banjo Player (Uncredited)
Dick Wessel
Mavis' Doorman (Uncredited)

CinemaSerf

When a blackmailing singer is found dead, poor old "Kirk Bennett" (John Phillips) is convicted of her murder. His wife, June Vincent ("Catherine") enlists the help of bar-fly "Blair" (Dan Duryea) who happens to be the ex-husband of the murdered woman and, posing as a pianist and singer, they start to investigate, ending up playing quite a complex game of cat and mouse with the excellently sleazy nightclub owner/petty criminal "Marko" (Peter Lorre). Duryea raises his game with his performance here and the safe pair of hands at the tiller from Roy William Neill keeps this well constructed, if occasionally soggy, crime noir moving along quite well with quite a few interesting twists and trust to keep it unpredictable.


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