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poster of The Importance of Being Earnest
Rating: 7.2/10 by 101 users

The Importance of Being Earnest (1952)

Algernon Moncrieff is surprised to discover that his affluent friend -- whom he knows as "Ernest" -- is actually named Jack Worthing. Jack fabricated his alter ego in order to escape his country estate where he takes care of his charge, Cecily Cardew. Cecily believes that Ernest is Jack's wayward brother and is keen on his raffish lifestyle. Algernon, seeing an opportunity, assumes Ernest's identity and sneaks off to woo Cecily.

Directing:
  • Anthony Asquith
  • Robert Asher
  • Joan Davis
  • David W. Orton
Writing:
  • Oscar Wilde
  • Anthony Asquith
Stars:
Release Date: Mon, Jun 02, 1952

Rating: 7.2/10 by 101 users

Alternative Title:
A Importância de Ser Honesto - BR

Country:
United Kingdom
Language:
English
Runtime: 01 hour 35 minutes
Budget: $0
Revenue: $0

Plot Keyword: love triangle, marriage, mistaken identity, etiquette, based on play or musical
Subtitle   Wallpaper   Watch Trailer    

Michael Redgrave
Ernest Worthing
Michael Denison
Algernon Moncrieff
Edith Evans
Lady Bracknell
Joan Greenwood
Gwendolen Fairfax
Dorothy Tutin
Cecily Cardew
Miles Malleson
Canon Chasuble
Ivor Barnard
Conductor (Uncredited)

CinemaSerf

There's little point in outlining the plot here - it's not what the film is about. It is the combination of characterisations and the wonderfully witty writing of Oscar Wilde that make this a thoroughly enjoyable film to watch. It makes no bones about it's theatrical origins - even featuring a curtain at the start and the finish, and that sets us up for a cracker of a comedy that swipes at snobbery, pomposity, crass stupidity, deception and offers us a tour de force effort from the inimitable Dame Edith Evans ("Lady Bracknell"). Anthony Asquith has created a delightfully honest interpretation of the play - the dialogue is pithy and quickly paced, few lines are wasted and the talents of Michael Redgrave, Michael Denison, Dorothy Tutin, the perfectly cast Joan Greenwood as "Gwendoline" and Margaret Rutherford as the prim "Miss Prism" combine to give us a genuinely laugh-out-loud series of scenarios that are a joy to behold. It's colourfully set, the costumes a delight (though, I felt seriously gaudy at times!) and the comically timed mannerisms, gestures and charisma of the performers is great, too. It is rare for a piece of theatrical comedy to transfer so effortlessly to the big screen, but here it all looks so very natural...


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