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poster of Still Walking
Rating: 7.7/10 by 362 users

Still Walking (2008)

A family gathers together for a commemorative ritual whose nature only gradually becomes clear.

Directing:
  • Hirokazu Kore-eda
Writing:
  • Hirokazu Kore-eda
  • Hirokazu Kore-eda
Stars:
Release Date: Sat, Jun 28, 2008

Rating: 7.7/10 by 362 users

Alternative Title:
歩いても、歩いても - JP
横山家之味 - CN
橫山家之味 - TW
Still Walking (Caminando) - ES
Even If You Walk and Walk - US
Still Walking - US
Aruitemo aruitemo - JP
步履不停 - TW
Gelbe Schmetterlinge - DE
걸어도 걸어도 - KR
Still Walking - CN
Seguindo em Frente - BR
Andando - PT
Still Walking - KR

Country:
Japan
Language:
日本語
Runtime: 01 hour 54 minutes
Budget: $0
Revenue: $3,511,120

Plot Keyword: family relationships, bereavement, family reunion, family gathering, father son conflict, father son relationship, mother son relationship
Subtitle   Wallpaper   Watch Trailer    

Hiroshi Abe
Ryota Yokoyama
Kirin Kiki
Toshiko Yokoyama
Yui Natsukawa
Yukari Yokoyama
Yoshio Harada
Kyohei Yokoyama
YOU
Chinami Yokoyama
Kazuya Takahashi
Nobuo Kataoka
Hotaru Nomoto
Satsuki Kataoka
Ryôga Hayashi
Mutsu Kataoka
Shohei Tanaka
Atsushi Yokoyama
Susumu Terajima
Sushi Deliverer

CinemaSerf

At times I felt quite uncomfortable watching this film. It is set in the home of an elderly couple whose grown up son and daughter - and their own respective families - are coming for a reunion dinner in order to commemorate the drowning of their eldest son some years earlier when he was a youth. Whilst there is the traditional deference you'd expect from children to parents, it soon becomes clear that the mother - especially - is no stickler for protocol, and her questioning of her son and his wife (whose own relationship is at times quite strained) about their own baby plans soon leads us to further exploration of all the aspirations and demons of those gathered around the table. It has been probably twenty years since my family had any sort of cross-generational repast, and there are certainly parts of this that ring true as the personalities of all concerned - even the youngsters - start to impose themselves on the ordinarily structured lives of all gathered together. That brings an authenticity to the scenario. There are no fights, tantrums, or squabbles - but it is clear from our observations that there are soft, vulnerable, points in each of their characters and that all of them are looking to the future in differing (and shorter-term) ways. Kirin Kiki - the mother - probably steals this for me, but the remainder of the ensemble cast deliver a touching, challenging and personal story with surety and delicacy. That's not to say this is in any way soporific, or slow - it isn't; it just allows the story to breathe and for us to appreciate the carefully crafted characterisations as the forty-eight hours, or so, of the visit unfolds. A slow burn - definitely - but well worth watching.


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