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poster of Cat People
Rating: 6.9/10 by 578 users

Cat People (1942)

A Serbian émigré in Manhattan believes that, because of an ancient curse, any physical intimacy with the man she loves will turn her into a feline predator.

Directing:
  • Jacques Tourneur
  • Doran Cox
  • Edward Donahue
Writing:
  • DeWitt Bodeen
Stars:
Release Date: Sat, Dec 05, 1942

Rating: 6.9/10 by 578 users

Alternative Title:
la Femme Panthère - FR
Katzenmenschen - DE
Ludzie-koty - PL
La mujer pantera - ES

Country:
United States of America
Language:
English
Srpski
Runtime: 01 hour 13 minutes
Budget: $134,000
Revenue: $4,000,000

Plot Keyword: jealousy, love triangle, cat, zoo, transformation, canary, swimming pool, film noir, curse, black and white, val lewton, folklore, fear of intimacy, unconsummated marriage, turned into animal, animal transformation, cats, sex transformation
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Simone Simon
Irena Dubrovna Reed
Kent Smith
Oliver Reed
Tom Conway
Dr. Louis Judd
Jane Randolph
Alice Moore
Jack Holt
The Commodore
Henrietta Burnside
Sue Ellen (uncredited)
Alec Craig
Zookeeper (uncredited)
Eddie Dew
Street Policeman (uncredited)
Elizabeth Dunne
Mrs. Plunkett (uncredited)
Dot Farley
Mrs. Agnew (uncredited)
Mary Halsey
Blondie (uncredited)
Theresa Harris
Minnie (uncredited)
Charles Jordan
Bus Driver (uncredited)
Donald Kerr
Taxi Driver (uncredited)
Connie Leon
Neighbor Calling the Police (uncredited)
Murdock MacQuarrie
Sheep Caretaker (uncredited)
Alan Napier
Doc Carver (uncredited)
John Piffle
Cafe Proprietor (uncredited)
Betty Roadman
Mrs. Hansen (uncredited)
Elizabeth Russell
The Cat Woman (uncredited)
Stephen Soldi
Organ Grinder (uncredited)

CinemaSerf

Simone Simon ("Irina Dubrovna") comes to work in New York where she falls in love with Kent Smith ("Oliver Reed"). Their relationship soon becomes strained after she struggles with intimacy - you see she believes that should she ever even kiss someone she loved, she would turn into a violent feline and claw him to death. She confides in her now husband and somewhat sceptical, he sends her to a psychiatrist, the debonaire Tom Conway ("Dr. Judd"). Our story tracks her determination to get past this obsession in the face of her growing suspicion that "Oliver" is seeking solace elsewhere - and that they are planning on having her committed - in a tense and eerie way. The dialogue is quite stilted and the theatricality of the performances rob the film of much of it's pace - but it is still a good horror thriller.


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