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poster of When Strangers Marry
Rating: 6.1/10 by 29 users

When Strangers Marry (1944)

A naive small-town girl comes to New York City to meet her husband, and discovers that he may be a murderer.

Directing:
  • William Castle
  • Frank Fox
  • Clarence Bricker
Writing:
  • Philip Yordan
  • Dennis J. Cooper
  • George Moskov
Stars:
Release Date: Mon, Aug 21, 1944

Rating: 6.1/10 by 29 users

Alternative Title:
Betrayed - US

Country:
United States of America
Language:
English
Runtime: 01 hour 07 minutes
Budget: $0
Revenue: $0

Plot Keyword: new york city, marriage, film noir, husband, small town girl
Subtitle   Wallpaper   Watch Trailer    

Dean Jagger
Paul Baxter
Kim Hunter
Millie Baxter
Neil Hamilton
Det. Lt. Blake
Lou Lubin
Jacob Houser
Dewey Robinson
Newsstand Owner
Claire Whitney
Middle-Aged Woman
Edward Keane
Middle-Aged Man
Virginia Sale
Chambermaid
Dick Elliott
Sam Prescott
Marta Mitrovich
Baby's Mother
Billy Nelson
Louisville Driver
Rhonda Fleming
Girl on Train (uncredited)
Sam McDaniel
Train Porter (uncredited)
William Castle
Man in Photograph Given to Police (uncredited)
Minerva Urecal
Landlady (uncredited)
George Lloyd
Hugo the Great (uncredited)
Jack 'Tiny' Lipson
Man in Cafeteria (uncredited)
Weldon Heyburn
Bill - Police Sergeant (uncredited)
Byron Foulger
Albert Foster (uncredited)
Fred Aldrich
Police Detective (uncredited)
Lennie Bluett
Dancer at Big Jims (uncredited)
Marie Bryant
Dancer at Big Jims (uncredited)
Karen X. Gaylord
Girl on Train (uncredited)

John Chard

Your life may depend on it! When Strangers Marry (AKA: Betrayed) is directed by William Castle and written by Philip Yordan and Dennis J. Cooper. It stars Dean Jagger, Kim Hunter, Robert Mitchum and Neil Hamilton. Music is by Dimitri Tiomkin and cinematograpy by Ira H. Morgan. A compact William Castle noir that finds Hunter marrying a man she barely knows (Jagger), only to find he may be a murderer. Robert Mitchum is on hand for help and advice… Well put together by Castle who keeps things brisk and simple whilst keeping the mystery element high, that in turn does justice to the decent script. There’s plenty of noir touches, from expressionistic photography and up-tilts, to cool montages and feverish scenes. Some odd characters add to the psychological discord, while Tiomkin blends jazzy dance strains with “he’s behind you” type rumbles. Cast performances are more solid than anything spectacular, but Mitchum serves very early notice of what a presence and icon he was to become. Some sequences look cheap, which for a Monogram cheapie is to be expected, and this type of pic has been done far better by others, notably Hitchcock and Lewton, both of whom Castle doffs his cap towards. But this never outstays its welcome and there’s plenty here for the noir lover to get hooked on. 7/10


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