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poster of Man with a Movie Camera
Rating: 7.839/10 by 719 users

Man with a Movie Camera (1929)

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Directing:
  • Dziga Vertov
  • Nikolai Izvolov
Writing:
  • Nikolai Izvolov
  • Dziga Vertov
Stars:
Release Date: Sun, May 12, 1929

Rating: 7.839/10 by 719 users

Alternative Title:
El hombre con la cámara - ES
Lyudyna z kinoaparatom - UA
Living Russia - US
Chelovek s kinoapparatom - RU
Žmogus su kino kamera - LT
The Man with a Camera - US
Kore ga roshiya da - JP
Chelovek s kino-apparatom - RU
El hombre de la cámara - AR
Um Homem Com uma Câmera - BR
The Man with a Movie Camera - CA
L'Homme à la caméra - FR
持摄影机的人 - CN
Muz s kinoaparátem - XC
Manden med kameraet - DK
Mies ja elokuvakamera - FI
Der Mann mit der Kamera - DE
Ο άνθρωπος με την κινηματογραφική μηχανή - GR
Ember a felvevőgéppel - HU
L'uomo con la macchina da presa - IT
Kamera o motta otoko - JP
Kore ga Russia da - JP
カメラを持った男 - JP
これがロシアだ - JP
De man met de camera - NL
Mannen med filmkameraet - NO
Człowiek z kamerą - PL
O Homem da Câmara de Filmar - PT
Omul cu aparatul de filmat - RO
Човек са камером - RS
Mož s kamero - SI
Lyudyna z kino-aparatom - UA
Людина з кіно-апаратом - UA
L'home de la màquina de filmar - ES
Mannen med filmkameran - SE
持攝影機的人 - TW
Людина з кіноапаратом - UA
Čovek s kino kamerom - YU
Kinoapparatom - SU
Čelovek s kinoapparatom - SU
Kinoappartom - SU

Country:
Soviet Union
Language:
No Language
Runtime: 01 hour 08 minutes
Budget: $0
Revenue: $0

Plot Keyword: soviet union, odessa, ukraine, montage, silent film, cameraman, moscow, russia, 1920s, kyiv (kiev), ukraine, city symphony, soviet realism, semi-fiction, docufiction, kharkiv (kharkov), ukraine, critical
Subtitle   Wallpaper   Watch Trailer    

Mikhail Kaufman
The Cameraman
Elizaveta Svilova
Woman Editing Film (uncredited)

CinemaSerf

Could this be the original observational documentary? We begin as the audience flood into a cinema and settle down in front of the big screen. The cameraman then takes us on a tour of his city with no apparent rhyme nor reason to the imagery we see. There's a bit of the old Imperial opulence reflected in the architecture to contrast with the street beggars (whom the Soviet Union aways denied existed). A very near miss whilst trying to get some POV footage of a train. Then what feels rather pruriently like a look at a woman's morning levée all intercut cleverly using the camera shutter to deliver this in chapters as their city awakens and the trams start to run, the bustle sets in and the industry comes alive. The photography frequently captures the intricacy of different manufacturing processes - both with and without human input, the latter sometimes being quite labour intensive. People mill about like ants racing to and fro and the cameraman himself appears in shot now and again to add additional context to this remarkably captivating look at a day in the life of an huge variety of people and activities - including a wedding and funeral. What's quite astonishing is the quality of the film. It's almost pristine, almost a century after it was made, and there are even some very basic visual effects merging the images and creatively capturing the lives of the community. It's barely an hour long, but effectively combines pictures of the serious and professional as well as the mischievous and playful and it's well worth a gander.


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