The Earrings of Madame de... (1953)
In France of the late 19th century, the wife of a wealthy general, the Countess Louise, sells the earrings her husband gave her on their wedding day to pay off debts; she claims to have lost them. Her husband quickly learns of the deceit, which is the beginning of many tragic misunderstandings, all involving the earrings, the general, the countess, & her new lover, the Italian Baron Donati.
- Max Ophüls
- Alain Jessua
- Marc Maurette
- Ulrich Picard
- Louise de Vilmorin
- Annette Wademant
- Max Ophüls
- Marcel Achard
- Marcel Achard
Rating: 7.5/10 by 229 users
Alternative Title:
Madame de... - Die Liebe ihres Lebens - DE
마담D - KR
Madame de… - US
마담 드... - KR
たそがれのおんなごころ - JP
Fruens hemmelige timer - NO
Country:
France
Italy
Language:
Türkçe
Français
Runtime: 01 hour 45 minutes
Budget: $0
Revenue: $0
Plot Keyword: italian, countess, debt, earring, 19th century
Yikes, but this is a classy and vivacious adaptation of de Vilmorin's novel of just why marriage isn't (or shouldn't be) for everyone. It all starts when the comtesse "Louise" (Danielle Darrieux) has to sell some jewellery to settle debts of which her husband - a renowned general "André" (Charles Boyer) is unaware. Now this action sets in train a chain reaction that sees these earrings provide a conduit for a story of lust, deception and duplicity as both parties find themselves caught up in some extra-martial relationships and coincidences that ultimately lead to misunderstandings and tragedy. It's a wonderfully internecine story that, though maybe having a slight overdose of serendipity at times, is really effective at demonstrating just how one lie can have an unpredictable domino effect with far reaching ramifications! Ably aided by a strong performance from Boyer, Vittorio De Rica as the baron "Donati" and Lia Di Leo's powerful contributions as "Lola", Darrieux is on great form here as the story unfolds - she even manages a song amidst the emotional chaos she has (inadvertently) caused. The attention to detail gives the production a lavish look to it and at times the writing is remarkably observant and potent - especially from Boyer. It's a love story that is almost entirely devoid of sentiment, walks a thin line between cruelty and generosity and I really enjoyed it.
