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poster of In the Shadow of the Eagles
Rating: 4.8/10 by 5 users

In the Shadow of the Eagles (1966)

After the death of Octavian, the rebel populations of Illyria and Pannonia pose a grave threat to the Roman Empire. Tribune Marcus Ventidius is sent to subdue the uprising and, after a bitter battle, captures Pannonian chief Magdus together with a number of women hostages. These include Magdus's own daughter Helen, betrothed to cruel Illyrian warrior Batone who has killed many Romans. Julia, daughter of the Roman governor Messala, is in love with Tribune Marcus and, jealous of his sympathy for the barbarian girl, plots an escape by Helen and her father. Pursuing the fugitives, Marcus crosses a mountain pass where Batone has laid a trap.

Directing:
  • Ferdinando Baldi
Writing:
  • Ferdinando Baldi
  • Nino Milano
Stars:
Release Date: Tue, Feb 01, 1966

Rating: 4.8/10 by 5 users

Alternative Title:

Country:
Germany
Italy
Yugoslavia
Language:
Italiano
Runtime: 01 hour 34 minutes
Budget: $0
Revenue: $0

Plot Keyword: roman empire, barbarian, peplum
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CinemaSerf

What is immediately striking about this adventure is the production. It is really rather superior to most of the Cameron Mitchell efforts produced in Italy in the 1960s. Gone are the garish sets and over-lit studio sets, replaced by largely outdoor - and quite authentic looking - rustic scenarios. This time our hero plays Roman Tribune "Ventidus" who has been charged with suppressing a rebellion from the Pannonian tribes in Germania. That tribe had peacefully co-existed with the legions until their leader "Magdo" (Alex Medar) is deposed by the upstart "Batone" (Alex Gavin) who has designs not just on his leadership but on his feisty daughter "Helen" (Bela Loncar). What now ensues is the usual set-piece historical drama with some over-staged sword fights and tit-for-tat battles that serve to tee up an ending that is not just very predictable, but really flat in it's delivery too. Mitchell stands head and shoulders about the rest of the truly mediocre cast, and the director and dialogue add little to the tension or action elements. It's a shame - Mitchell has starred in far better stories with far worse production. This time it is the other way around...


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