Blood and Black Lace (1964)
Isabella, a young model, is murdered by a mysterious masked figure at a fashion house in Rome. When her diary, which details the house employees' many vices, disappears, the masked killer begins killing off all the models in and around the house to find it.
- Mario Bava
- Priscilla Contardi
- Luciana Loschiavo
- Cristina Grieco
- Giuseppe Barilla
- Mario Bava
- Marcello Fondato
- Marcello Fondato
Rating: 7.3/10 by 410 users
Alternative Title:
Fashion House of Death - US
Six Women for the Murderer - US
Hat nő és a gyilkos - HU
Zes Vrouwen voor de Moordenaar - NL
Verta ja mustaa pitsiä - FI
L'atelier de la mort - CA
Lustmördaren - FI
L'atelier de la peur - FR
Assasinat dans la Haute Couture - FR
6 gynaikes gia to dolofono - GR
Aima sti mavri dantela - GR
Aima kai mavri dantella - GR
Sei donne per l'assassino - IT
Moderu renzoku satsujin! - JP
Seis mujeres para el asesino - MX
Seis Mulheres para um Assassino - PT
Кровь и черные кружева - SU
Шесть женщин для убийцы - SU
Sis dones per a l'assassi - ES
Blutige Seide - DE
Krv i crna cipka - YU
Der Würger mit der Maske - DE
Blod och svarta spetsar - SE
Qan və Qara Krujeva - AZ
Kan ve Siyah Dantel - TR
Country:
Germany
France
Italy
Language:
Italiano
Runtime: 01 hour 28 minutes
Budget: $0
Revenue: $0
Plot Keyword: blackmail, murder, whodunit, model, killer, giallo
When the glamorous model "Isabella" is found murdered, "Insp. Silvestri" (Thomas Reiner) is drafted in to investigate. Pretty quickly he discovers, as do we, that she kept a diary and it now becomes distinctly dangerous for anyone who has handled this book as the masked killer seems hell bent on retrieving it. There are suspects a-plenty for the killings, and an intriguing sub-lot between a penniless Marquis (Franco Ressel) being blackmailed for an alibi by the boyfriend of one of the deceased, makes the main plot a little more puzzling too. It packs quite a lot into ninety minutes and the story is peppered with red herrings but not in an Agatha Christie fashion. They are more plausible, the characterisations malevolent, duplicitous and back-stabbing and for much of this, we really have no idea who is committing these heinous crimes, nor why. The score is left in the reliable hands of Carlo Rustichelli and though the dialogue isn't that bad, it is this that works well to create a sense of menace - and mischief, as the investigation reaches it's denouement. Tangentially, it takes a swipe or two at the rather insincere worlds of modelling and fashion in general, and is easily as good as the best horror thrillers to emanate from Hammer. Despite the whole thing having something of an episode of "Columbo" to it, it's still worth a watch.
