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poster of Brainstorm
Rating: 6.196/10 by 24 users

Brainstorm (1965)

Scientist Jim Grayam saves his boss' wife from suicide but then falls in love with her.

Directing:
  • William Conrad
Writing:
  • Lawrence B. Marcus
  • Mann Rubin
Stars:
Release Date: Wed, May 05, 1965

Rating: 6.196/10 by 24 users

Alternative Title:

Country:
United States of America
Language:
English
Runtime: 01 hour 45 minutes
Budget: $0
Revenue: $0

Plot Keyword: suicide attempt, driven insane

Anne Francis
Lorrie Benson
Dana Andrews
Cort Benson
Viveca Lindfors
Dr. Elizabeth Larstadt
Stacy Harris
Josh Reynolds
Kathie Browne
Angie DeWitt
Leon Alton
Spectator (uncredited)
Tom Anfinsen
Party Guest (uncredited)
David Armstrong
Party Guest (uncredited)
Frank Baker
Executive (uncredited)
Harry Bartell
Detective (uncredited)
Suzanne Benoit
Nurse (uncredited)
Gary Bohn
Bailiff (uncredited)
Steve Carruthers
Executive (uncredited)
James J. Casino
Party Guest (uncredited)
Donald Chaffin
Orderly (uncredited)
William Conrad
Mental Patient (uncredited)
Roberto Contreras
Asylum Inmate (uncredited)
Isabel Cooley
Nurse (uncredited)
George DeNormand
Attorney (uncredited)
Barbara Dodd
Party Guest (uncredited)
William Duffy
Orderly (uncredited)
Biff Elliot
Detective (uncredited)
Joe Evans
Inmate (uncredited)
Pamelyn Ferdin
Little Girl in Lobby (uncredited)
Fred Fisher
Party Guest (uncredited)
Duke Fishman
Inmate (uncredited)
Jimmie Horan
Party Guest (uncredited)
Steve Ihnat
Dr. Copeland (uncredited)
Byron Keith
Guard (uncredited)
Kenner G. Kemp
Courtroom Spectator (uncredited)
Johnny Kern
Party Guest (uncredited)
Richard Kiel
Asylum Inmate (uncredited)
Lloyd Kino
Mr. Komato (uncredited)
Robert Locke Lorraine
Party Guest (uncredited)
Elaine Martone
Party Guest (uncredited)
Charles Maxwell
Insane Man in Courtroom (uncredited)
William Meader
Party Guest (uncredited)
Joseph Mell
Insane Inmate with Flowers (uncredited)
John Mitchum
Guitar-Playing Inmate (uncredited)
Ray Montgomery
Charlie the Gate Guard (uncredited)
George N. Neise
Party Guest (uncredited)
Monty O'Grady
Executive (uncredited)
James O'Hara
Party Guest (uncredited)
Bill Quinn
Psychiatrist at Sanity Hearing (uncredited)
Paul Ravel
Inmate (uncredited)
Anthony Redondo
Reporter (uncredited)
Victor Rodman
Asylum Inmate (uncredited)
John Roy
Spectator (uncredited)
Wendy Russell
Party Guest (uncredited)
Jeffrey Sayre
Lawyer (uncredited)
James Seay
Judge at Scavenger Hunt (uncredited)
Alfred Shelly
Detective (uncredited)
Hal Taggart
Man at Sanity Hearing (uncredited)
Julie Van Zandt
Mother (uncredited)
Maurice Wells
Judge (uncredited)

CinemaSerf

This is probably the most complex role I ever saw Jeff (no - rey) Hunter ever undertake, and he's actually not at all bad. He is "Grayam", a man who comes to the aid of the slightly inebriated wife of his boss. "Lorrie" (Anne Francis) is considerably more grateful than her husband "Benson" (Dana Andrews) and it soon becomes clear that she has the hots for him and he, however reluctantly at first, is beginning to reciprocate. Pretty swiftly they are having an affair and rather curiously her husband seems to know all about it and care not a jot. He knows his wife will never leave her wealthy and confortable life - he plays a manipulative game and he plays it well. To thwart this, the two come up with a plan to eliminate "Benson" in plain sight and to cleverly orchestrate the scenario so as to allow his use of a plea of insanity. He sows the seeds well, gradually convincing all around him that he's not the full shilling before... What he didn't really reckon on though was the fickleness of "Lorrie" and the adeptness of the court-appointed psychiatrist "Larstadt" (Viveca Lindfors) who plays well here as the doctor who clearly knows how to play this game of intellectual cat and mouse every bit as well as her quarry. It's perhaps a little too long - too much time is spent on the establishment scenes, but Hunter, Francis and Lindfors are effective here as William Conrad gradually builds this into a sophisticated psychological drama that twists and turns nicely before a denouement that I found to be suitably pathetic. It's rarely seen these days, and may be a bit tame by 21st century standards, but it is a strong and characterful story that is well delivered and well worth a watch.


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