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poster of The Web
Rating: 7/10 by 41 users

The Web (1947)

A brash young lawyer takes a short-term, high-paying job as bodyguard for a slick business exec being threatened by a former partner, and quickly realizes he may be in over his head.

Directing:
  • Michael Gordon
  • F.O. Collings
Writing:
  • William Bowers
  • Bertram Millhauser
  • Harry Kurnitz
Stars:
Release Date: Wed, Jun 04, 1947

Rating: 7/10 by 41 users

Alternative Title:
The Dark Web - US
Jeopardy - US

Country:
United States of America
Language:
English
Runtime: 01 hour 27 minutes
Budget: $0
Revenue: $0

Plot Keyword: film noir, framed
Subtitle   Wallpaper   Watch Trailer    

Ella Raines
Noel Faraday
Vincent Price
Andrew Colby
Maria Palmer
Martha Kroner
John Abbott
Charles Murdock
Fritz Leiber
Leopold Kroner
Howland Chamberlain
James Nolan (as Howard Chamberlin)
Tito Vuolo
Emilio Canepa
Wilton Graff
District Attorney
Robin Raymond
Newspaper Librarian

John Chard

I'm a lawyer not a bodyguard. The Web is directed by Michael Gordon and collectively written by William Bowers, Bertram Millhauser and Harry Kurnitz. It stars Edmond O'Brien, Ella Raines, William Bendix and Vincent Price. Music is by Hans J. Salter and cinematography by Irving Glassberg. A good and solid film noir from one of the golden years of the film making style. Plot pitches O'Brien as a small time lawyer, who after impressing crafty businessman Vincent Price with his commitment to his work, gets hired as a minder since Price is worried about an old associate who has apparently issued a death threat. Sure enough all is not as it seems and before long O'Brien finds himself under scrutiny for the death of the associate. The writing isn't great as per the twists and turns, they are all signposted and lit up in bold letters, yet this is a small complaint because the fun is in the characterisations and the scripted dialogue. O'Brien has the quips and bravado, Raines the sexy smoulder and Price the weasel machinations. Bendix as a good cop is a little too out in the periphery of things to truly impact on the narrative in the way his fans would like, but his scenes with O'Brien are a joy and sparkle with prickly sarcasm, while Gordon and Glassberg bring the film noir style via the requisite amount of shadow play and camera tilts (love those slats and balustrades). Nifty noir tech credits cosy up with a likable hero, a sassy femme, a slimy villain and big bad Billy Bendix = Score! 7/10


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