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poster of Blonde
Rating: 5.988/10 by 1324 users

Blonde (2022)

From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, this reimagined fictional portrait of Hollywood legend Marilyn Monroe blurs the lines of fact and fiction to explore the widening split between her public and private selves.

Directing:
  • Kristin Bree Calabrese
  • Andrew Dominik
  • Aaron C. Fitzgerald
Writing:
  • Andrew Dominik
  • Joyce Carol Oates
Stars:
Release Date: Fri, Sep 16, 2022

Rating: 5.988/10 by 1324 users

Alternative Title:
Mallasoch - UZ
Sarışın - TR
Blondi - FI
Блондинка - RU

Country:
United States of America
Language:
English
Italiano
Runtime: 02 hour 47 minutes
Budget: $22,000,000
Revenue: $0

Plot Keyword: suicide, rape, husband wife relationship, based on novel or book, pregnancy, overdose, psychological stress, biography, celebrity, psychological abuse, fame, domestic violence, hollywood, los angeles, california, reality vs fantasy, substance abuse, starlet, traumatic childhood, mother daughter relationship, absent father
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Ana de Armas
Norma Jeane
Adrien Brody
The Playwright
Bobby Cannavale
The Ex-Athlete
Sara Paxton
Miss Flynn
Lucy DeVito
Ex-Athlete's Niece
Scoot McNairy
Tommy Ewell / Richard Sherman
Xavier Samuel
Cass Chaplin
Evan Williams
Eddy G. Robinson Jr.
Haley Webb
Brooke (Flight Attendant)
Dan Butler
I.E. Shinn
Tygh Runyan
Norma Jeane's Father
Michael Masini
Tony Curtis / Josephine
Chris Lemmon
Jack Lemmon / Daphne
Sonny Valicenti
Casting Director
Tatum Shank
Dick Tracy
Skip Pipo
Dr. Bender
Ravil Isyanov
Billy Wilder
Rob Brownstein
Acting Coach
Rob Nagle
Radio Announcer
Ethan Cohn
Assistant to the Director
Eric Matheny
Joseph Cotten
Kiva Jump
Ward Nurse at Norwalk
Patrick Brennan
Joe (Photo Shoot Photographer)
Ryan Vincent
Uncle Clive
Vanessa Lemonides
Marilyn Singing Voice (voice)
Michael Drayer
Deputy Will Bonnie
Ron West
Dr. Spindel (Abortion Doctor)
Flynn Platt
Actor in Play
Scott Wilder
Chloroform Man #1
Sal Landi
Chloroform Man #2
Seth Meriwether
5th Helena Messenger
Darrin M. Schlie
Assistant Camera Man
Julián Rebolledo
Trailer Announcer / Newsreel Announcer
Allan Havey
Dr. Greenson
Tereza Rizzardi
Ex-Athlete's Momma
Lily Fisher
Young Norma Jeane
Spencer Taylor
Assistant Director
Denna Thomsen
Choreographer
Parker Harris
Diamonds Dancer
Ryan Kanfer
Diamonds Dancer
Scott Hislop
Diamonds Dancer
Parker Blakely
Diamonds Dancer
Chris Moss
Diamonds Dancer
Cris Cangero
Diamonds Dancer
Brandon Beltran
Diamonds Dancer
Patrick Ellis
Diamonds Dancer
Luke Kamppila
Diamonds Dancer
Richard Biglia
Diamonds Dancer
Arne Gjelten
Diamonds Dancer
Russell Ridgeway
Diamonds Dancer
Jake Brandorff
Diamonds Dancer
Bryan Anthony
Diamonds Dancer
Jeremy Shouldis
Tuxedo #2 (uncredited)
Steve Bannos
Brentwood Doctor (uncredited)
Dieterich Gray
Photographer's Assistant (uncredited)
Mia McGovern Zaini
Young Norma Jeane (voice) (uncredited)
Garret Dillahunt
Producer (uncredited)
Eden Riegel
Esther (uncredited)
Judy Kain
Severe Woman (uncredited)

CinemaSerf

What a truly disappointing film this is. It offers us a really slow, sterile and disjointed - almost episodic - depiction of just how Marilyn Monroe's life might have panned out. For a start, I couldn't decide whether Ana de Armas was really Lady Gaga or Scarlett Johansson (both of whom would have acquitted themselves better, I'd say) as she offers an admittedly intense, but remarkably uninvolved performance. We move along from chapter to chapter in her life hindered by some fairly weak and uninspiring dialogue and seriously intrusive scoring in what becomes an increasingly shallow and lacklustre fashion. The photography does try hard - it does offer us a sense of intimacy, but the whole thing is presented in such a stylised and un-natural manner that it is frequently difficult to tell whether she is/was a "real" woman. Her marriages are treated in an almost scant manner - and her relationship with JFK is reduced to something rather implausibly one-sided and sordid showing nothing of how their relationship might have come to be. It has no soul, this film. Aside from her glamour - which was, even then, hardly unique we are not really introduced to any of the nuances of her character, we are left guessing a lot of the time as to just how she did become such a superstar, and how she spiralled so inevitably into a maelstrom of booze and pills. It relies to a considerable extent on the viewer's existing knowledge of, and affection for, this flawed lady. Adrien Brody and Bobby Cannavale don't really have much chance to add anything as her husbands and the highly speculative relationship between her and Charlie Chaplin Jnr (Xavier Samuel) and his sexually ambiguous partner-in-crime Edward G Robinson Jr (Scoot McNairy) does suggest something of the rather profligate and debauched existence that some lived in Hollywood, but again their characters are also largely undercooked and again, we are largely left to use our own imagination. It is far, far too long and in a packed cinema, I could see people looking at the ceiling just once too often. Watchable, certainly, but a real missed opportunity to offer us something scintillating and tantalising about this most of iconic of women.

Martín Acosta

In the middle of 2022, the movie I was looking forward to the most was '**Blonde**', but... I'm really disappointed. The film has nowhere to hold on, it's just a fictional compilation of the supposed life of **Marilyn Monroe**, where we don't get context and it's easy to get lost through the scenes and the large number of characters (_which if you didn't know the story, you wouldn't really know who they are_) of a feature film of almost three hours. The direction is good, although quite experimental where sometimes elements that seem to come out of nowhere are combined. Not to mention the constant switching between color and black/white that doesn't seem to represent anything concrete. **Ana de Armas's** performance is brilliant, by far the best of the film, despite how poor her character is. I'm really disappointed, in these times we live in, designing a movie about **Marilyn Monroe** could have contained a much more powerful message. The story of a woman who went through the sexualization of the industry in the 50's. Instead the film only seems to add fuel to the fire by showing nudity at any time and sometimes for no reason. Based on a story in parts fictitious, with a vision, in my opinion, poorly focused, they make 'Blonde' a great disappointment.

Hossein

This is a movie that shows no other side of Marylin than her being miserable. While watching this movie, if you try to fact-check stuff, you realize that many parts of it are fictitious. Then as you continue watching the movie, you wonder what you're watching. This movie is neither a good representation of reality nor a good work of fiction...

r96sk

'Blonde' is a strange one. There is nothing about it that I'd scream from the rooftops about, yet the heavy run time of around 2hrs 47mins went by in an absolute flash - not once was I bored with what I was watching; I tend to check how long is left of a movie when I'm finding it dull, but with this I didn't check at all - as clear a sign as any that I obviously enjoyed it. I'm not fully convinced why, admittedly. I think it's just really interesting to watch from start-to-finish, the acting is very good and the film is put together well. I wasn't sure about having Ana de Armas as Marilyn Monroe during the first few scenes, though I quickly lost those thoughts as she gives a great performance. I get the criticisms (though how many biopics truly stick to reality?) but I predominantly judge films as films, and this is a very watchable one in my books. I'm not saying it's anything special, though for a near 3hr flick to fly by it evidently gave me what I require.

misubisu

No wonder Marilyn Monroe overdosed on sleeping pills, I was suicidal well before this movie finished!! This movie is so depressing that it is hard to watch. I had to jump through numerous parts desperately looking for something even slightly uplifting. I failed.


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