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poster of The Paradine Case
Rating: 6.2/10 by 235 users

The Paradine Case (1947)

Attorney Anthony Keane agrees to represent Londonite Mrs. Paradine, who has been fingered in her husband's murder. From the start, the married lawyer is drawn to the enigmatic beauty, and he begins to cast about for a way to exonerate his client. Keane puts the Paradine household servant on the stand, suggesting he is the killer. But Keane soon loses his way in the courtroom, and his half-baked plan sets off a stunning chain of events.

Directing:
  • Alfred Hitchcock
  • Lowell J. Farrell
  • Lydia Schiller
Writing:
  • David O. Selznick
  • Robert Hichens
  • Alma Reville
Stars:
Release Date: Wed, Dec 31, 1947

Rating: 6.2/10 by 235 users

Alternative Title:
パラダインふじんのこい - JP
Kaksi pisaraa viiniä - FI
Schuldig oder nicht schuldig? - DE

Country:
United States of America
Language:
English
Runtime: 01 hour 54 minutes
Budget: $4,258,000
Revenue: $2,100,000

Plot Keyword: femme fatale, film noir, lawyer, black and white

Gregory Peck
Anthony Keane
Ann Todd
Gay Keane
Alida Valli
Mrs. Paradine
Charles Laughton
Judge Lord Thomas Horfield
Charles Coburn
Sir Simon Flaquer
Ethel Barrymore
Lady Sophie Horfield
Louis Jourdan
Andre Latour
Joan Tetzel
Judy Flaquer
Harry 'Snub' Pollard
Cabby (uncredited)
Kenner G. Kemp
Courtroom Spectator (uncredited)
Colin Kenny
Juror (uncredited)
Bert Stevens
Barrister in Courtroom (uncredited)
Arthur Tovey
Courtroom Spectator (uncredited)
Sam Harris
Courtroom Spectator (uncredited)

CinemaSerf

Gregory Peck is "Keane", a happily married London barrister who is called to defend a woman accused of murdering her wealthy, blind husband. Alida Valli (simply Valli in the titles) is the accused, a glamorous woman who simply reeks of gold-digger right from the start and with Leo G. Carroll leading the prosecution and a wonderfully curmudgeonly Charles Laughton as the High Court judge, you sense the writing is already on the wall for the women. Peck struggles in the role, to be honest, he lacks incisiveness - he is just a bit too "nice". When he discovers that it's possible that she had been having an affair with then old man's valet - a dashing Louis Jourdan - he seems torn between a sense of envy (he is clearly smitten) and a desire to secure a fair hearing and at times that drags this into melodrama territory. The courtroom scenes are all to frequently broken up by domestic issues - even Laughton and put-upon wife Ethel Barrymore as well as Peck with loving, and herself slightly envious, "Gay" (Ann Todd). For me, it is trying to accomplish too many things and ends up not really doing anything spectacular with Richard Hichens far more spicy and potent novel.


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