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poster of Imitation of Life
Rating: 7.431/10 by 282 users

Imitation of Life (1959)

In 1940s New York, a white widow who dreams of being on Broadway has a chance encounter with a black single mother, who becomes her maid.

Directing:
  • Douglas Sirk
  • Frank Shaw
  • Luanna Sherman
  • Wilson Shyer
Writing:
  • Eleanore Griffin
  • Allan Scott
  • Fannie Hurst
Stars:
Release Date: Fri, Jun 26, 1959

Rating: 7.431/10 by 282 users

Alternative Title:
Imitação da Vida - BR
Zolang Er Mensen Zijn - NL
Mirage de la vie - FR
슬픔은 그대 가슴에 - KR

Country:
United States of America
Language:
English
Runtime: 02 hour 05 minutes
Budget: $0
Revenue: $0

Plot Keyword: family, motherhood, passing for white

Lana Turner
Lora Meredith
John Gavin
Steve Archer
Juanita Moore
Annie Johnson
Sandra Dee
Susie (16)
Susan Kohner
Sarah Jane (18)
Robert Alda
Allen Loomis
Dan O'Herlihy
David Edwards
Karin Dicker
Sarah Jane (8)
Lee Goodman
Photographer
Sandra Gould
Receptionist
David Tomack
Mr. McKenney
Jack Weston
Stage manager
Billy House
Fat Man on Beach
Mahalia Jackson
Choir Soloist
Bess Flowers
Geraldine Moore (uncredited)
Frank Baker
Party Guest
Alex Ball
Audience Member
George Barrows
Furniture Mover
Chet Brandenburg
Man at Coney Island
Teddy Buckner
Marching Band Member
Steve Carruthers
Actor at Audition
Paul Cristo
Show Spectator
Joe Darensbourg
Marching Band Member
Mike De Lay
Marching Band Member
Elinor Donahue
Lora's Friend
Adolf Eichmann
Himself (Archive Footage)
Cicely Evans
Louis Morton
George Ford
Show Spectator (uncredited)
Eddie Parker
Cop at Funeral
Waclaw Rekwart
Restaurant Patron
Cosmo Sardo
Audience Member
Jeffrey Sayre
Audience Member
Cap Somers
Truck Driver
Ted Thorpe
Dog Owner
Napoleon Whiting
Kenneth, Lora's Butler

CinemaSerf

Whilst Lana Turner is great in this family drama, the plaudits really ought to go to the sparing appearances of the hugely charismatic Juanita Moore. The latter woman is very much down on her luck, with her daughter "Sarah Jane", when she rescues the young "Susie", separated at the beach from her mother "Lora" (Turner). Not that she has much better prospects, but "Lora" takes in the destitute couple and that seems to act as her good luck charm. A budding actress, she finds herself slowly but surely - with the aide of the less than scrupulous "Loomis" (Robert Alda) - climbing up the greasy pole - without, it has to be said, compromising her integrity. The four march on as her star rises, but of course there is no pain, no gain. "Sarah Jane" (by now Susan Kohner) is of mixed-race, and as she struggles to fit in socially, she goes off the rails. Meantime, "Lora" has an on/off relationship with "Steve" (John Gavin) to whom, also, her daughter takes a bit of a shine too! It's not a melodrama, this film - it's a well crafted characterful drama that mixes comedy, aspiration, racial tension and love - in many different guises; and it delivers a thought provoking but still very entertaining look at 1950s America. Success always comes at a price, and much of Turner's excellence here comes from the fact that she plays a woman who almost glides through life without really appreciating how or why it impacts on her. It's only when the tragedies - yes there are a few - start to hit her square on, that she has to adjust to real life. Gavin was never really any better than eye candy, but here he does have an extra gear and there are strong contributions from both Kohner and Sandra Dee as the sixteen year old "Susie". Henri Mancini had a hand in the score of this lavish and complex story that really does allow the talent on screen to deliver some solid writing well and engagingly. Two hours just flies by.

griggs79

Imitation of Life is a masterpiece that explores race, class, and privilege in 1950s America. Douglas Sirk's final Hollywood film masterfully contrasts the lives of Lora Meredith (Lana Turner) and Annie Johnson (Juanita Moore), using their intertwining stories to expose the stark divides of the era. The emotional depth of Annie's relationship with her daughter, who chooses to pass as white, is super-emotional and heart-wrenching. Sirk's use of heightened drama not only serves as a critique of 1950s society's blind spots but also enlightens today's audience about the issues of the time. In the final act, with Mahalia Jackson's moving performance, the film delivers an emotionally shattering experience that cements its status as a timeless work of art. Flawless.


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