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poster of Eyes Wide Shut
Rating: 7.486/10 by 6151 users

Eyes Wide Shut (1999)

After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings -- and quickly discovers that he is in over his head.

Directing:
  • Stanley Kubrick
  • Becky Hunt
  • Rhun Francis
  • Adrian Toynton
  • Brian W. Cook
  • Annie Simpson
Writing:
  • Frederic Raphael
  • Stanley Kubrick
  • Arthur Schnitzler
Stars:
Release Date: Fri, Jul 16, 1999

Rating: 7.486/10 by 6151 users

Alternative Title:
De Olhos Bem Fechados - BR
大開眼戒 - TW
Широко затворени очи - BG
Ojos Bien Cerrados - MX
Ojos bien cerrados - AR
عيون مغلقة على اتساعها - SA
아이즈 와이드 셧 - KR
С широко закрытыми глазами - RU
Gözleri Tamamen Kapalı - TR
S shiroko zakritimi glazami - AM
Oči širom zatvorene - HR
Spalující touha - CZ
Silmad pärani kinni - EE
Μάτια ερμητικά κλειστά - GR
Tágra zárt szemek - HU
アイズ ワイド シャット - JP
Plačiai užmerktos akys - LT
Ojos bien cerrados - PE
Oczy Szeroko Zamknięte - PL
De Olhos Bem Fechados - PT
Cu ochii larg inchisi - RO
Широм затворених очију - RS
Široko zaprte oči - SI
Gözü tamamen kapalı - TR
Із широко заплющеними очима - UA
Rhapsody - GB
Traumnovelle - US
EWS - US
Ojos bien cerrados - UY
紧闭双眼 - CN
大开眼戒 - CN
大开眼界 - CN
アイズ ワイド シャット:1999 - JP
Eyes Wide Shut - ES
Gözlər Sıxıca Qapalı - AZ

Country:
United Kingdom
United States of America
Language:
English
Runtime: 02 hour 39 minutes
Budget: $65,000,000
Revenue: $162,100,000

Plot Keyword: new york city, prostitute, based on novel or book, sexual obsession, sacrifice, christmas party, eroticism, orgy, masked ball, secret society, cult, marijuana, conspiracy, mansion, lust, drugs, disguise, illegal prostitution, sexual desire, voyeurism, erotic thriller, sex party, marital crisis, relationships, costume shop, hooker, commanding
Subtitle   Wallpaper   Watch Trailer    

Tom Cruise
Dr. William Harford
Nicole Kidman
Alice Harford
Sydney Pollack
Victor Ziegler
Todd Field
Nick Nightingale
Alan Cumming
Desk Clerk
Sky du Mont
Sandor Szavost
Leelee Sobieski
Milich's Daughter
Madison Eginton
Helena Harford
Michael Doven
Ziegler's Secretary
Kevin Connealy
Lou Nathanson
Dan Rollman
Rowdy College Kid
Gavin Parry
Rowdy College Kid
Chris Pare
Rowdy College Kid
Adam Lias
Rowdy College Kid
Christian Clarke
Rowdy College Kid
Kyle Whitcombe
Rowdy College Kid
Gary Goba
Naval Officer
Florian Windorfer
Maître D' - Café Sonata
Togo Igawa
Japanese Man #1
Eiji Kusuhara
Japanese Man #2
Sam Douglas
Cab Driver
Abigail Good
Mysterious Woman / Masked Party Principal
Brian W. Cook
Tall Butler
Carmela Marner
Waitress at Gillespie's
Cindy Dolenc
Girl at Sharky's
Clark Hayes
Hospital Receptionist
Treva Etienne
Morgue Orderly
Colin Angus
Masked Party Principal
Karla Ashley
Masked Party Principal
Kate Charman
Masked Party Principal
James Demaria
Masked Party Principal
Tony De Sergio
Masked Party Principal
Janie Dickens
Masked Party Principal
Laura Fallace
Masked Party Principal
Vanessa Fenton
Masked Party Principal
Georgina Finch
Masked Party Principal
Peter Godwin
Masked Party Principal
Joanna Heath
Masked Party Principal
Lee Henshaw
Masked Party Principal
Ateeka Poole
Masked Party Principal
Adam Pudney
Masked Party Principal
Sharon Quinn
Masked Party Principal
Ben De Saumserez
Masked Party Principal
Emma Lou Sharratt
Masked Party Principal
Paul Spelling
Masked Party Principal
Matthew Thompson
Masked Party Principal
Dan Travers
Masked Party Principal
Russell Trigg
Masked Party Principal
Kate Whalin
Masked Party Principal
Cate Blanchett
Mysterious Woman (voice) (uncredited)
Jerson David Ambion
Masked Party Principal (uncredited)
Shelsie Blake
Hula Dancer (uncredited)
John N. Campbell
Masked Party Guest (uncredited)
Emilio D'Alessandro
Man at Newsstand (uncredited)
Paul Desbois
Ballroom Dancer (uncredited)
Donna Ewin
Masked Party Principal (uncredited)
Sam Heydon
Masked Party Principal (uncredited)
Alex Hobbs
Boy in Examination Room (uncredited)
Christiane Kubrick
Woman Behind Dr. Harford at Café Sonata (uncredited)
Katharina Kubrick
Mother of Boy in Examination Room (uncredited)
Taylor Murphy
Masked Party Principal (uncredited)
Graham Skidmore
Background Artist (uncredited)
Stanley Kubrick
Man at Café Sonata (uncredited)

Filipe Manuel Neto

**It doesn't matter if it's Stanley Kubrick's best or worst. It's a movie that makes you think.** Stanley Kubrick is one of those filmmakers who didn't make a lot of films. Over the course of his forty-year career, he only made thirteen feature films. Very little... However, if we look closely, almost all of them are familiar and immediately entered the pantheon of cinema. They are not perfect films, nor was Kubrick perfect no matter how methodical he was, and there are films of his that are unpalatable (I've already written that in some of them). But each of them, for its reasons, is its own, a very different work. In this film, he makes a case study around desire, sexuality and how we, individually or as a couple, deal with it. The script follows a doctor and his wife. An apparently happy couple who, after a party where they both flirted with other people (without consequences), have a fight where she, perhaps to take away his self-confidence, confesses that she wanted to have another man, some time ago. The revelation leaves the doctor speechless. That night, he doesn't seem to know what he wants: he desires other women, but refuses their advances. But when a pianist friend tells him about a strange party, full of beauties, where he has to play blindfolded, he wants to see it up close. Yes, the party was a gigantic chic orgy, with touches of unholy religious ritual to accentuate the sense of sin and lust. Of course, the unwary guy ends up being discovered and unmasked… and from there, the film becomes denser, with the character increasingly afraid of what might happen to him. The film makes us think a lot about sexuality, monogamy, the importance we give to marital fidelity. I don't know what it was like in 1999, but today it's common to see couples in open relationships, or relatively discreet saunas and swing clubs that throw liberal parties with some regularity. There is still a universe apart – private parties, organized by social networks and for guests only – and it is true that the rich and famous are much more demanding with the reservation of their intimacy, especially when they do naughty things. But what the film proposes to us is, not so much the refusal of monogamy, but that we think about the way we give up all other sexual partners when we really fall in love. The notion of personal sacrifice runs through the entire film (a woman who gives up an erotic fantasy for love, another who proposes to die in order to save an innocent, a man who refuses sex because he is married) and indicates that the best bonds we create in life involve choices and sacrifices in exchange for something greater. In fact, to be happy in a marriage, you need to keep your eyes wide shut to temptations. With a very good and well written story, the film develops the characters very well and allows us to get to know them. For that, the film doesn't mind taking a slower pace that can leave some audiences exasperated. Decisive was the choice of Tom Cruise and Nicole Kidman for the main roles. At the time, they were Hollywood's pretty couple, and there's no doubt that Kubrick knew how to exploit their enormous personal and intimate chemistry, transporting it to the characters and the film. In fact, this may not be Kubrick's best film (that's relative!) but, for me, it's Cruise's best film so far. Technically, the film has many positives. Kubrick gave an almost maniacal attention to detail and took his time filming. And we can see how each scene was shot in a detailed way, with the camera moving precisely, cuts surgically made, very long and very well edited scenes, taking advantage of the excellent cinematography and sets (where, of course, the mansion of the party stands out). Even more important is the way the director was able to work with the environment and the tension, growing and almost palpable. There is a lot of nudity in this film, including frontal nudity (Kidman herself did scenes where she is practically naked) and some sex scenes that, if not explicit, are very visual. Even so, the film is not, surprisingly, very erotic. I think the director didn't want sex to distract us or cut that tension he was looking for. As for the sound and soundtrack, I think it does its job well, but I didn't find it particularly remarkable.


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