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poster of Sicario: Day of the Soldado
Rating: 6.929/10 by 3572 users

Sicario: Day of the Soldado (2018)

Agent Matt Graver teams up with operative Alejandro Gillick to prevent Mexican drug cartels from smuggling terrorists across the United States border.

Directing:
  • Stefano Sollima
  • Doug Coleman
  • Steve Gehrke
  • Donald Murphy
Writing:
  • Taylor Sheridan
Stars:
Release Date: Wed, Jun 27, 2018

Rating: 6.929/10 by 3572 users

Alternative Title:
Sicario 2 - US
Soldado - US
Sicario 2: Soldado - GB
시카리오: 데이 오브 솔다도 - KR
Sicario 2: Day of the Soldado - US
시카리오_데이 오브 솔다도 - KR
Sicario 2 - Day of the Soldado - NL
시카리오-데이 오브 솔다도 - KR
边境杀手2:边境战士 - CN
Убийца 2 Против всех - RU
Sicario 2: Askerin Günü - TR
Sicario: Askerin Günü - TR
Sicario 2 - FR
Sicario Day of the Soldado 2018 - JP
Sicario 2: Soldado - US
Sicario Two: Soldado - US
Sicario Two - US
Sicario Two: Day of the Soldado - US
Sicario Day of the Soldado - US
Sicario 2 Day of the Soldado - US
Sicario: El día del soldado - sp
Sicario: El día del soldado - ES
Sicario 2 - Soldado - IT
Siêu Sát Thủ - VN

Country:
Mexico
United States of America
Language:
English
Español
Runtime: 02 hour 02 minutes
Budget: $35,000,000
Revenue: $75,836,683

Plot Keyword: rescue, central intelligence agency (cia), corruption, usa–mexico border, sequel, shootout, explosion, brutality, drugs, sign languages, cartel, neo-noir, mexican cartel

Benicio del Toro
Alejandro Gillick
Josh Brolin
Matt Graver
Isabela Merced
Isabel Reyes
Jeffrey Donovan
Steve Forsing
Catherine Keener
Cynthia Foards
Matthew Modine
Secretary of Defense James Riley
Shea Whigham
Andy Wheeldon
Elijah Rodriguez
Miguel Hernandez
Alfredo Quiroz
Teenage Soldier
Nick Shakoour
Rocking Man
Joseph A. Garcia
Border Agent #1
J.D. Marmion
Border Agent #2
Hector Dez
Border Agent #3
Jon Kristian Moore
Border Agent #4
Thang Khan Gin
Burmese Migrant #1
Mang Khai
Burmese Migrant #2
Zaw Tan
Burmese Migrant #3
Rob Franco
K-9 Agent
Sakariya Ali
Somali Militiaman
Dan Davidson
Col. Kenneth Walter
Graham Beckel
Dale Hammonds
Sherman Allen
Gen. Arno McCullough
Mickey Dolan
Bus Stop Teen
Iliana Donatlán
Mexican News Reporter
Christopher Heyerdahl
Headmaster Deats
Ian Bohen
Carson Wills
Stafford Douglas
Naval Intelligence Officer
Oscar Avila
Mexican Border Guard
Fernando Urquides
Tattooed Gangster
Tasha Ames
Young Blonde Woman
Ibrahim Renno
Costco Terrorist #1
Beth Bailey
Mother Victim
Alex Cacho
Costco Terrorist #2
Lloyd Voights
Gulfstream Pilot
Brian Reynolds
Blackhawk Pilot #1
Frédéric North
Blackhawk Pilot #2
Arturo Maese Bernal
Mexican Lookout #1
Billy R. Sanchez
Mexican Migrant #1
Gary Anthony Castro
Mexican Migrant #2
Chris Adams
K-9 Agent (uncredited)
Paul Adkins
Delta Force Sniper (uncredited)
Micheal Thomas Angel
CIA Station Agent (uncredited)
Rick Anglada
Military Brass (uncredited)
Tim Aydelott
FBI Agent, US Marshall (uncredited)
Nathan V. Baker
DEA Agent (uncredited)
Karen Baxter
JCU Tech Foster (uncredited)
Chrissy Beyerlein
Tourist (uncredited)
Ruben Bugayong
Border Patrol Agent (uncredited)
Jackamoe Buzzell
Commander Willett (uncredited)
Carlos Carreon
Black Hawk Contractor (uncredited)
Cruz Castillo
Bus Stop Student (uncredited)
Narupornkamol Chaisang
ZomZom (uncredited)
Ryan Jason Cook
DEA Agent Ed Ramirez (uncredited)
Leedy Corbin
Junior High Student (uncredited)
Rachel de la Torre
Military Contractor (uncredited)
Luca De Massis
Hitman (uncredited)
James Devoti
Captain James (uncredited)
DezBaa'
Immigrant (uncredited)
Tamir Elbassir
Costco Terrorist #3 (uncredited)
Lawrence Gilligan
Border Patrol (uncredited)
Andrea Good
Migrant (uncredited)
Alison Grainger
US Marshall (uncredited)
Catherine Haun
Middle School Teacher (uncredited)
Johnnie Hector
River Border Agent (uncredited)
Alan Humphrey
Guard (uncredited)
Jack Jackson
Military Contractor (uncredited)
Barrett James
Military Contractor (uncredited)
Kelly V. Lucio
Gallo Thug (uncredited)
David Manzanares
Arturo Hernandez (uncredited)
Jose B. Martinez
Miguels Migrant #1 (uncredited)
Aaron Mastriani
Bomb Victim in Store (uncredited)
Brett Maul
Texas Ranger (uncredited)
Jay Moore
Restaurant Patron (uncredited)
Mario Moreno
Dr. Gutierrez (uncredited)
Victoria L. Moya
Migrant (uncredited)
Christian Pedersen
DEA Agent (uncredited)
Gonzalo Robles
Military Contractor (uncredited)
Tsailii Rogers
Classy Restaurant Patron
Manny Rubio
Santiago (uncredited)
Lyle Sandoval
Mid-Level Thug (uncredited)
Carolyn Borbon Schademan
Asian Illegal Immigrant (uncredited)
Pari Shimoyama
Migrant (uncredited)
Connor Skific
Black Hawk Contractor (uncredited)
Michael Slusher
Pickup Truck Driver (uncredited)
Michael E. Stogner
Van Driver at Border Crossing (uncredited)
Cheo Tapia
Bar Bouncer (uncredited)
Michael Love Toliver
Sgt. Perezchaves (uncredited)
Sandra L. Velez
Border Crossing Driver (uncredited)
Paul Venable
Marine General (uncredited)
Braden Wilcox
Grocery Store Victim (uncredited)
Sarrett Williams
I.C.E. Agent (uncredited)

Gimly

Of the two _Sicario_ films, the first is most certainly the better, though, in my opinion, not at all by the margin that I have seen many others imply. These are both great movies, not great in an identical way (even if their formula **is** identical) but both great. I don't know that _Sicario_ **had** to be a film series as opposed to just the one movie, but the best experience I've had at the cinema for the past couple of months was with _Day of the Soldado_, so I'm glad it became one. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

Stephen Campbell

**_Not as good as the original, but still pretty decent_** > **_Sarah Sanders_**: _We have a completely broken immigration system. We have a national crisis, not just of safety and security, but a humanitarian crisis. We have drugs, we have human traffickers, we have terrorists that come across our border and there has to be a stop to that and we want to do - not just the wall; certainly that's one of the most important factors. We know that it works; we know that in the places that it's been, it's 95 percent effective. We want to be effective across the board and that includes the wall an__d other technology._ > [...] > **_Chris Wallace_**: "_Special Interest Aliens" are just people who come from countries that have ever produced a terrorist. They're not terrorists themselves. And the State Department says that there is, quote, their words: "no credible evidence of any terrorist coming across the border from Mexico_." > **_Sanders_**: _We know that roughly, nearly 4,000 known or suspected terrorists come into our country illegally, and we know that our most vulnerable point of entry is at our southern border._ > **_Wallace_**: _Wait, wait, wait - I know the statistic; I didn't know if you were going to use it. But I studied up on this. Do you know where those 4,000 people come - where they're captured? Airports._ > _**Sanders**_: _Not always._ > **_Wallace_**: _Airports._ > **_Sanders_**: _Certainly a large number_ - > **_Wallace_**: _The State Department says there hasn't been any terrorists that they've found coming across the southern border with Mexico._ > _**Sanders**_: _It's by air, it's by land, and it's by sea. It's all of the above. But one thing that you're forgetting is that the most vulnerable point of entry that we have into this country is our southern border, and we have to protect it. And the more individuals that_ - > **_Wallace_**: _But they're not coming across the southern border, Sarah. They're coming and they're being stopped at airports._ - White House Press Secretary Sarah Sanders speaking with Chris Wallace; _Fox News Sunday_ (January 6, 2019) _Sicario 2: Soldado_ [released in North America as _Sicario: Day of the Soldado_] is a sequel to Denis Villeneuve's _Sicario_ (2015). And if ever a film didn't scream "sequel", it was that one. Apart from the fact that it was only a modest box-office hit (grossing $84.9 million against a $30 million budget, in an era when the only films that become franchises must gross $800 billion in the first five minutes of their release), the storyline was carried to a fairly natural conclusion – Alejandro Gillick (Benicio del Toro), protected by his CIA handler Matt Graver (Josh Brolin), successfully manipulated naïve and idealistic CIRG officer Kate Macer (Emily Blunt) into helping him exact revenge for the murder of his wife and daughter at the hands of drug baron Fausto Alarcón (Julio Cesar Cedillo). The film concluded with Graver getting what he wanted, Gillick getting revenge, and Macer in possession of a more realistic, if bitter, understanding of how the US conducts its affairs in Mexico. A sequel felt wholly unnecessary. But a sequel is what we have. When a suicide bombing in Kansas kills fifteen people, the US government authorise Graver to adopt "_extreme measures_" to combat Mexican drug cartels, who are suspected of smuggling the terrorists across the border. Deciding to instigate a war between the two major cartels, Graver recruits Gillick to assassinate a high-profile lawyer for the Matamoros cartel while Graver and his team kidnap Isabel Reyes (Isabela Moner), the daughter of the kingpin of Matamoros' rival. Taking her to Texas, Graver and Gillick then 'rescue' her in a false flag operation, making it appear she was kidnapped by her father's enemies. As they transport her back to Mexico, Gillick begins to bond with her. However, after they cross the border, the Mexican police escorts double-cross them, and Isabel flees into the desert, pursued by Gillick. Meanwhile, the US government determines that two of the suicide bombers from Kansas were domestic terrorists, and thus were not smuggled into the country. With this mind, to help quell tensions with Mexico, Secretary of Defense James Riley (Matthew Modine) orders the CIA to abandon the mission, much to Garver's disgust. With the first film wrapping up so neatly, the announcement of a sequel seemed like a typical Hollywood cash grab, one which would most likely crap all over the legacy of the truly excellent original. However, as bits and pieces of info regarding the sequel began to filter through, it started to feel less and less like the usual Hollywood knock-off we're all used to seeing. For starters, Taylor Sheridan would return as sole-writer, in a script that would not go in what, for many, might seem the only real direction in which to take the story - Macer getting revenge for Graver and Gillick using her. Instead, Macer wouldn't even appear, as the script would instead focus on pseudo-antagonists Gillick and Graver. To this end, the only other actors who would also return would be Raoul Max Trujillo as Rafael, one of Gillick's contacts in Mexico, and Jeffrey Donovan as Steve Foraing, Graver's number two. The big concern for a lot of people, however, was who would replace the irritatingly talented Villeneuve in the director's chair. And so it was another welcome bit of news when the man chosen was Stefano Sollima, the Italian director of _A.C.A.B. – All Cops Are Bastards_ (2012) and _Suburra_ (2015), as well as most of the episodes in the first season of _Gomorra: La serie_ (2014). Okay, so first things first. _Soldado_ isn't a patch on _Sicario_. Not even close (and, needless to say, there's nothing here to come anywhere near _that_ dinner table scene). And there are some problems which were largely absent first time around. For example, the narrative suffers slightly from the absence of Macer, not insofar as she herself is irreplaceable, but more in the sense that the audience no longer has a surrogate. Because we know who Graver and Gillick really are this time around, there is obviously no point in the film playing its cards close to its chest, and so it adapts a more balls-to-the-wall, damn-the-torpedoes approach. This renders the narrative more morally simplistic than the first film. In tandem with this, perhaps wisely, Sheridan has written _Soldado_ as a more conventional action-thriller than _Sicario_, but this has the knock-on effect that when the bullets start flying, as they do on several occasions, all the political/moral back-and-forth is made to seem nothing more than the material that gets us from one shootout to the next. Additionally, there's an element of repetition, as Isabel is traded off from one group to the next, and one definitely gets a sense of _déjà vu_, as she becomes a metaphorical cog in the screenwriter's machinery. Also, although Solima's direction is good (with that resume, how could he not get the gritty tone right), it's not as sharp as Villeneuve's. Finally, and this is a small point, the title of the film translates as _Hitman 2: Soldier_ [or _Hitman: Day of the Soldier_ in North America]. This makes not a lick of sense, and instead sounds like a 90s action movie starring Michael Dudikoff. However, for all that, I thoroughly enjoyed it. The script is sharp, relevant (references to a spineless POTUS undermining intelligence operations will be sure to please at least half the audience), gruff, and cool. With the two _Sicario_ films, _Hell or High Water_ (2016), _Wind River_ (2017), and _Yellowstone_ (2018-), Sheridan is fast becoming one of Hollywood's most accomplished writers. The film also stars two of the coolest men on the planet being masculine and suppressing their emotions. Del Toro never so much as even hints at cracking a smile, whilst Brolin has lost some of the sardonic dismissiveness he possessed in the first film, but none of the bluster or self-confidence. All things considered, for a film that never seemed to have any real reason to exist, this is a cracking piece of storytelling, and has me already looking forward to the next instalment.

r96sk

Noticeably not as commanding as its predecessor, but 'Sicario: Day of the Soldado' is still a good time. It's pleasing to have the returns of Benicio del Toro and Josh Brolin, the former isn't as great as before though the latter is basically the same. Isabela Merced, meanwhile, makes for a positive addition. Some parts of the story are more interesting than others, e.g. the bits directly with Elijah Rodriguez's Miguel aren't all that noteworthy. It does set the atmosphere really well, sound-wise it's good - except for that one amusing (unintentionally, granted) use of 'girl screaming' stock audio, which I'm fairly certain is the exact same sound effect used in 'RollerCoaster Tycoon' back in the day - whatta game, by the way. One (real) criticism I do have, mind, is the lighting. I saw a few reviewers noting that for the 2015 original too though I didn't see it (or I guess I did, ha) there. Here, however, it's obvious... especially early on. Once the plot gets moving it gets less and less noticeable, but still. I can't say a sequel was needed, though at least they did an acceptable job with it. Time will tell if they do so again for 'Sicario: Capos'.


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