The Long, Hot Summer (1958)
Accused barn burner and conman Ben Quick arrives in a small Mississippi town and quickly ingratiates himself with its richest family, the Varners.
- Martin Ritt
- Eli Dunn
- William Faulkner
- Sammy Cahn
- William Faulkner
- Irving Ravetch
- Harriet Frank Jr.
Rating: 7.1/10 by 203 users
Alternative Title:
夏日春情 - CN
Долгое жаркое лето - RU
Długie, gorące lato - PL
La Lunga Estate Calda - IT
Hosszú, forró nyár - HU
Der Lange, heiße Sommer - DE
Les Feux de l'été - FR
O Mercador de Almas - BR
長く熱い夜 (1958) - JP
Dlouhé horké léto - CZ
El largo y cálido verano - ES
Country:
United States of America
Language:
English
Español
Runtime: 01 hour 55 minutes
Budget: $0
Revenue: $0
Plot Keyword: small town, based on novel or book, arranged marriage, host family, family relationships, sexual tension, arson, class differences, false accusations, arsonist, sexual repression, overbearing father, stranger, based on short story, sharecropper, general store, father son conflict, summertime, father son relationship, father daughter relationship, southern gothic, seducer, charming man
This reminded me a little of "Cat on a Hot Tin Roof" (1954) with Paul Newman playing the roguish "Quick" who arrives in a small town, dominated by the "Varner" family and quickly tries to ingratiate himself into their wealthy ways. They, indeed the whole town, are dominated by the patriarchal "Will" (Orson Welles) who seems determined that his daughter "Clara" (Joanne Woodward) will marry local dullard "Stewart" (Richard Anderson). She, on the other hand, takes an instant shine to the newcomer and when brother, and general loafer, "Jody" (Anthony Franciosa) starts to feel a little threatened by this man who is seemingly of much more interest to his father than he is, things start to become a little tense around the place - to say the least. It's a small point, but the audio from Welles isn't the best and sometimes its quite difficult to make out what he's saying, but as the family dynamic becomes more strained and the backstory fills in a tale of a group of people for whom it's really only money that has become the thing that matters now - we end up with a characterful study of avarice and ambition tempered with some dark humour and an increasingly engaging effort from Welles and a smouldering - if maybe a little too predictable - chemistry from Woodward and Newman. It can be a bit wordy at times, but Martin Ritt keeps the pace even and taut as these folks evolve before us. It's not as intense as it might be, but it's still an easy two hours looking at the less salubrious side of human nature.