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poster of Lady for a Night
Rating: 5.4/10 by 9 users

Lady for a Night (1942)

Gambling boat operator Jenny Blake throws over her gambler beau Jack Morgan in order to marry into high society.

Directing:
  • Leigh Jason
Writing:
  • Boyce DeGaw
  • Isabel Dawn
  • Garrett Fort
  • Sol Meyer
Stars:
Release Date: Mon, Jan 05, 1942

Rating: 5.4/10 by 9 users

Alternative Title:

Country:
United States of America
Language:
English
Runtime: 01 hour 28 minutes
Budget: $0
Revenue: $0

Plot Keyword: gambling, social satire, black and white
Subtitle   Wallpaper   Watch Trailer    

Joan Blondell
Jenny Blake
John Wayne
Jackson Morgan
Philip Merivale
Stephen Alderson
Blanche Yurka
Julia Anderson
Ray Middleton
Alan Alderson
Edith Barrett
Katherine Alderson
Carmel Myers
Mrs. Dickson
Guy Usher
Governor
Ivan Miller
Mayor Dickson
Gladys Gale
Mother (uncredited)
Dolores Gray
Dolores, a Singer (uncredited)
Howard Hickman
Civil War General (uncredited)
Merrill McCormick
Card Player (uncredited)
Howard M. Mitchell
Civic Leader (uncredited)
William H. O'Brien
King's Club Worker (uncredited)
Dewey Robinson
Horse Dealer (uncredited)
Henry 'Hot Shot' Thomas
Black Man (uncredited)
Minerva Urecal
Spinster in Audience (uncredited)
Blue Washington
Man Sitting Next to Chloe (uncredited)

CinemaSerf

Joan Blondell delivers something of a feisty Stanwyck-style character in her depiction of successful river boat owner "Jenny". Together with her local kingpin co-partner "Jackson" (John Wayne) they make a good living from the great and the good of Tennessee society. The thing is, though, "Jenny" has ambitions to join that society. She craves respectability and when an opportunity to marry into the "Alderson" family presents itself, she doesn't think twice. Her new husband "Alan" (Ray Middleton) is a bit of a drunk, but his family need her money so unwillingly tolerate her. All except, "Julia" (Blanche Yurka) who really does look down her nose at her new in-law. The more "Jenny" tries, the more cleverly antagonistic her nemesis becomes until finally murder ensues and the truth must out... It's a bit of an amalgam of stories this, and the really rather wooden Wayne features too sparingly to make much difference to the rather meandering drama. Hattie Noel has some fun as "Chloe" and there's a bit of toe-tapping mid way through but the rest of this is all just a little procedural with an expected twist right at the denouement. It's a good looking tale of rancour, envy, love and bitterness - but told in fashion you're not really likely to remember.


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