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poster of Street of Chance
Rating: 5.3/10 by 18 users

Street of Chance (1942)

In this Cornell Woolrich thriller, a man's memory is recovered after being injured by falling construction material. Discovering a year-long lapse, he returns to his old life and discovers a lot of mysterious happenings.

Directing:
  • Jack Hively
Writing:
  • Garrett Fort
  • Cornell Woolrich
Stars:
Release Date: Sat, Oct 03, 1942

Rating: 5.3/10 by 18 users

Alternative Title:
Street of Chance - US

Country:
United States of America
Language:
English
Runtime: 01 hour 14 minutes
Budget: $0
Revenue: $0

Plot Keyword: new york city, amnesia, based on novel or book, film noir
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Burgess Meredith
Frank Thompson
Claire Trevor
Ruth Dillon
Louise Platt
Virginia Thompson
Frieda Inescort
Alma Diedrich
Jerome Cowan
Bill Diedrich
Arthur Loft
Sheriff Lew Stebbins
Ann Doran
Miss Peabody
Cliff Clark
Ryan, (Policeman)
Edwin Maxwell
Stillwell, D.A.

John Chard

As luck would have it… Street of Chance is directed by Jack Hively and adapted to screenplay by Garrett Fort from the novel "The Black Curtain" written by Cornell Woolrich. It stars Burgess Meredith, Claire Trevor, Louise Platt, Sheldon Leonard, Frieda Inescort and Jerome Cowan. Music is by David Buttolph and cinematography by Theodor Sparkuhl. After being felled by falling wreckage from a New York building, Frank Thompson (Meredith) awakes in the street to find he has some sort of amnesia and his life may not be as he thought. As he starts to piece together his life he comes to realise he may have committed a murder and is actually on the run! An early entry in the original film noir cycle, Street of Chance takes what would become a familiar film noir theme, amnesia, and seasons it with betrayal and the vagaries of fate. It's also a point of interest to note that it's the first filmic adaptation of one of noir hero Woolrich's literary works, while the visual marker set here by Sparkuhl (Among the Living) signposts the influence of German Expressionism on the noir film making style. The visuals range from low lighted cramped rooms to the various diagonal and vertical shadows that psychologically patternize the spaces inhabited by the lead characters. The story itself is not so hot, once the narrative settles into a steady and unspectacular rhythm, as the key ladies in Frank Thompson's life come into play, there's a distinct lack of mystery or suspense. Which is a shame as the acting is of good quality even if the principals aren't asked to stretch their respective thespian skills. Still, with the visuals so strong and the satisfying Woolrich feel to proceedings (though the finale is changed here from that of the novel), it's worth seeking out by noiristas. 6.5/10


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