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poster of Cyrano de Bergerac
Rating: 6.8/10 by 61 users

Cyrano de Bergerac (1950)

France, 1640. Cyrano, the charismatic swordsman-poet with the absurd nose, hopelessly loves the beauteous Roxane; she, in turn, confesses to Cyrano her love for the handsome but tongue-tied Christian. The chivalrous Cyrano sets up with Christian an innocent deception, with tragic results.

Directing:
  • Michael Gordon
  • Ivan Volkman
  • Jules V. Levy
Writing:
  • Carl Foreman
  • Edmond Rostand
  • Brian Hooker
Stars:
Release Date: Thu, Nov 16, 1950

Rating: 6.8/10 by 61 users

Alternative Title:
Сирано де Бержерак - RU
Cyrano de Bergerac – värjans mästare - SE

Country:
United States of America
Language:
English
Runtime: 01 hour 53 minutes
Budget: $0
Revenue: $0

Plot Keyword: paris, france, poet, nose, based on play or musical, swordsman, unrequited love, 17th century

José Ferrer
Cyrano de Bergerac
William Prince
Christian de Neuvillette
Ralph Clanton
Antoine Comte de Guiche
Edgar Barrier
Cardinal Richelieu
Elena Verdugo
Orange Girl
Albert Cavens
Vicomte de Valvert
Arthur Blake
Montfleury
Don Beddoe
The Meddler
Philip Van Zandt
Man with Gazette
Francis Pierlot
Capuchin Monk
Bobby Hale
Cavalier (uncredited)
John Harmon
Lackey (uncredited)
James Pier Mason
Cavalier (uncredited)
Jack Perry
Cavalier (uncredited)

CinemaSerf

If there were to be a career defining performance from José Ferrer, then I reckon that this would be it. He really enters into the spirit of his role as the famed poet whose sharpness came not just from his pen, but from his sword too. His friend "Christian" (William Prince) is totally smitten by the gorgeous "Roxane" (the glamorous Mala Powers), as is our hero - but he rather selflessly sets up his friend in the hope that they might find true happiness - all the while using words that he, himself, has not the courage to actually say to her, either! It's a well produced, solid swashbuckler with some great dialogue adapted from Edmond Rostand's play by Carl Foreman, with plenty of action. Even the romance (never my favourite bits) are managed in such a fashion to expertly avoid even a hint of cheese. Maybe a little too long, and some of the scenarios are distinctly stage-bound which hamstrings it a little at times, but it is still a cracking bit of cinema.


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