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poster of Wasp Network
Rating: 6/10 by 373 users

Wasp Network (2020)

Havana, Cuba, 1990. René González, an airplane pilot, unexpectedly flees the country, leaving behind his wife Olga and his daughter Irma, and begins a new life in Miami, where he becomes a member of an anti-Castro organization.

Directing:
  • Olivier Assayas
  • Luc Bricault
  • Matthew Gledhill
  • Christelle Meaux
Writing:
  • Olivier Assayas
  • Fernando Morais
Stars:
Release Date: Wed, Jan 29, 2020

Rating: 6/10 by 373 users

Alternative Title:
Kubánská spojka - CZ
Cuban Network - FR
WASP ネットワーク:2020 - JP

Country:
Belgium
Brazil
France
Spain
Language:
English
Italiano
Pусский
Español
Runtime: 02 hour 08 minutes
Budget: $10,530,000
Revenue: $1,400,000

Plot Keyword: miami, florida, cuba, espionage, based on true story, terrorism, havana, cuba, spy ring, 1990s, castro regime, anti-castro organization, cuban history
Subtitle   Wallpaper   Watch Trailer    

Ana de Armas
Ana Margarita
Tony Plana
Luis Posada Carriles
Julian Flynn
PUND's Pilot
Anel Perdomo
Viramontez's Wife
Julio Gabay
Roque's Cousin
Ernesto Ruiz Faxas
René's FBI Contact
Harlys Becerra
CANF Activist #1
Gabriel Buenaventura
CANF Activist #2
Edwin Fernández
Officer Caballero
Feliberto Beatón
Officer Estrada
Javier Guillarte Fernández
State Security Agent with Olga
Yura López
Immigration Agent with Olga
Raúl Bravo
René's Brother
Elbert Álvarez
Tannery Manager
Philip Stanton
Inglés Ahora Boss
Omar Ali
Jorge Mas Canosa
Juan Ángel Samper
Castro's Envoy
Chris Gillette
Bill Clinton's Advisor #1
Stephen William Tenner
Bill Clinton's Advisor #2
René Flinn
Bill Clinton's Envoy to Cuba
Carlos Leal
Narrator (voice)
Saúl Rojas
Raúl Labanino Salazar
Noslen Sánchez
Fernando González
Denys Ramos Antúnez
Antonio Guerrero
Yasmani Guerrero
Nilo Hernández
Yaité Ruiz
Linda Hernández
Luis A. Batista
Pilot Cessna #1
Miguel Ángel García
Co-pilot Cessna #1
Luis Miguel B.
Co-pilot Cessna #2
Abel López Cedre
Basulto's Co-pilot
Teherán Aguilar
Anti-Castroist Commando #1
Armando Palma
Anti-Castroist Commando #2
Egor Viga
Anti-Castroist Commando #3
Thomas Michael Dubyna
Guantánamo Base US Officer #1
Ruairi Rhodes
Guantánamo Base US Officer #2
Brendan McNamee
FBI Agent - Stakeout #1
Rob Harvie
FBI Agent - Stakeout #2
Michael Strelow
FBI Agent - Stakeout #3
Brannon Cross
US Coast Guard
Adri Torrijos
FBI Agent #1
Jhoey Carol
FBI Agent #2
Ilianki Vera Rivero
Cuban Airbase Controller
Armando Suávez Cobián
Havana Airport Controller
Steve Howard
US Airbase Controller
Lorenzo Rodríguez César
Havana Airport Customs Agent
Antulio Marín
Cruz León's Taxi Driver
Colin Laverty
Luis Posada Carriles' Interviewer #1
Gregory Binowski
Luis Posada Carriles' Interviewer #2
Yailene Sierra
Luis Posada Carriles' Interviewer #3
Juan Jacomino
René's Press Conference
Alexander Meneghini
René's Press Conference
Michael Weissenstein
Basulto's Press Conference
Patrick Perry Oppman
Basulto's Press Conference
Will Grant
Basulto's Press Conference
Johanna Sol
Newscaster at Wedding
Giuseppe Scarfari
Italian Victim
Luisa Marcolina Ausenda
Italian Tourist #1
Gabriele Filippone
Italian Tourist #2
Yanelis Tejera
Hotel Capri Concierge
Bill Clinton
Self (archive footage)
Roberto Robaina
Self (archive footage)
Fidel Castro
Self (archive footage)

CinemaSerf

Given the intriguing story and really good cast behind this, it ought to have been good. It isn't. It meanders all over the place with way too many plots, sub plots and storylines all ambling about devoid of a solid narrative. It could be a six-parter if it wanted to be, but as a single film it just doesn't really gel at all. Olivier Assayas clearly has some skin in the game as he sets out to interweave the political and personal stories of 5 Cubans who end up, by various means, in Florida in the 1990s. Tourist pilot Edgar Ramirez ("Rene") is one of then, who leaves home and stunningly gorgeous wife Penelope Cruz ("Olga") one day, pinches a plane and defects to the US where, together with "Juan Pablo" (Wagner Moura) he is soon part of a network that effectively tries to assist Cuban defectors to get to the USA. Their determination to destabilise the Castro administration starts to lead them into more complex, moral choices whilst we continue to see his wife struggling with day to day life back home with their daughter. That's just the first half hour... There are plenty more characters, and storylines; CIA involvement; the infamous hotel bombs of 1997 - all told in a rigidly episodic fashion. It is trying to cram way too much into two hours and as such the characterisations suffer. It's not that you don't like or sympathise with them, it's that you don't ever feel you really know or understand them - Gael García Bernal as the equivalent of "Control" somehow lacks any menace or sophistication too. There is some beautiful photography of the island of Cuba itself, and of the Canary Islands, and it looks great, the cast look great, but it needed much more focus and much tighter plot filtration.

tmdb28039023

Wasp Network (2019) is "based on a true story", but its makers may be looking at reality through 'beer goggles.' For example, there is a character played by Ana de Armas, who regardless of her talent – or lack thereof – reminds me of a young Tiffani Amber Thiessen. During the epilogue, however, we are shown a photo of the corresponding real person, and what we see is a thick, plump, buxom, etc., etc. woman, and there is nothing wrong with it just like there is nothing wrong with de Armas being slender; the problem lies in that the truth is manipulated to make it more attractive to the public. If director Olivier Assayas takes such liberty with a supporting character, how do we know what's real and what's a complete fabrication? In keeping with this pattern, the locations are authentic, but even if the events of the film were equally genuine, Assayas manages to needlessly complicate them. In principle, I have nothing against non-linear stories told non-sequentially, but this script would already be hard to follow, with its espionage and counter-espionage, moles, agents and double-agents, and above all its moral ambiguity and political contradictions. This material calls for simplification, not convolution. I mean, if your movie is a quote-unquote true story, wouldn't you want to push the truth all the way to the foreground? What's the use of knowing what really "happened" if we don't understand how and why it happened? Having said that, Wagner Moura is perfect for Wasp Network for the same reasons that made him a wrong choice for the title role in Sergio. In both movies he is snooty, arrogant, and shallow; unbecoming characteristics for a noble United Nations diplomat, but which fit his opportunistic character like a glove here – a character who also happens to have the best lines in the movie ([devouring a Big Mac] “after years of eating McCastro's, McDonald's is a delicacy;” or, when a Cuban journalist asks him, while his wife watches the interview from Miami, what he misses most about his life on American soil: [thinks for a moment] "My Jeep Cherokee”).


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