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poster of The 47 Ronin
Rating: 6.9/10 by 63 users

The 47 Ronin (1941)

In 1701, Lord Takuminokami Asano has a feud with Lord Kira and he tries to kill Kira in the corridors of the Shogun's palace. The Shogun sentences Lord Asano to commit suppuku and deprives the palace and lands from his clan, but does not punish Lord Kira. Lord Asano's vassals leave the land and his samurais become ronin and want to seek revenge against the dishonor of their Lord. But their leader Kuranosuke Oishi asks the Shogun to restore the Asano clan with his brother Daigaku Asano. One year later, the Shogun refuses his request and Oishi and forty-six ronin revenge their Lord.

Directing:
  • Kenji Mizoguchi
  • Tatsuo Sakai
  • Iehira Ogawa
  • Taichirô Hanaoka
  • Naoji Watanabe
Writing:
  • Kenichiro Hara
  • Seika Mayama
  • Yoshikata Yoda
Stars:
Release Date: Mon, Dec 08, 1941

Rating: 6.9/10 by 63 users

Alternative Title:
The 47 Ronin - US
The Loyal 47 Ronin of the Genroku Era - GB
Genroku Chûshingura - JP
I 47 ronin ribelli - IT
47 로닌 - KR
Genroku chūshingura - JP
Los leales 47 Ronin - ES
La vendetta dei 47 ronin - IT

Country:
Japan
Language:
日本語
Runtime: 03 hour 43 minutes
Budget: $0
Revenue: $0

Plot Keyword: japan, samurai, loyalty, seppuku, ronin, shogun, pride, kyoto, japan, revenge killing, feudal lord, feudal japan, dignity, shogunate, clash of clans, vengeance, harakiri, history of japan, chushingura

Chōjūrō Kawarasaki
Kuranosuke Oishi
Kan'emon Nakamura
Sukeimon Tomimori
Kunitarō Kawarasaki
Jurozaemon Isogai
Chōemon Bandō
Sozaemon Hara
Kikunojo Segawa
Gengo Ootaka
Utaemon Ichikawa
Tsunatoyo Tokugawa
Yoshizaburo Arashi
Lord Takuminokami Asano
Daisuke Katō
Fuwa Kazuemon
Seizaburō Kawazu
Lord Etchumori Hosokawa
Mantoyo Mimasu
Kozunosuke Kira
Sukezō Sukedakaya
Chuemon Yoshida
Kikunosuke Ichikawa
Gengoemon Kataoka
Enji Ichikawa
Tadashichi Takebayashi
Shinzo Yamazaki
Seimon Ooishi
Sensho Ichikawa
Matsunosuke Ooishi
Shoji Ichikawa
Magoemon Seo
Iwagoro Ichikawa
Fujiemon Hayamizu
Shinzaburo Ichikawa
Matanosuke Ushioda
Harunosuke Bando
Monzaemon Izeki
Minoru Bando
Fujiemon Ootsuka
Ginjiro Bando
Saemon Kishi
Tokujiro Tsutsui
Kurôemon Oono
Seiichi Katō
Jûnai Onodera
Ryôtarô Kawanami
Yasoemon Okajima
Joji Kaieda
Yasubee Horibe
Hiroshi Ôuchi
Sanpei Sugano
Rokurô Ôkawa
Kanroku Chiakamatsu
Ryu Okochi
Magomeon Okuda
Isamu Kosugi
Denpachirô Tamon
Kazutoyo Mimasu
Kôzunosuke Kira
Masao Shimizu
Ecchûmori Katô
Tetsu Tsuboi
Chikugomori Shindô
Yoshito Yamaji
Yosôemon Kajikawa
Aizo Tamashima
Munechikaemon Fukami
Kōmei Minami
Heihachirô Kondô
Haruo Inoue
Jûemon Kurusu
Tomiemon Otomo
Genemon Ookubo
Kiyoshi Kagawa
Ukyô Tamura
Yuzuru Kume
Tsushimamori Inagaki
Toshio Arashi
Tokuya Noborikawa
Shoichiro Ichikawa
Ryôhaku Ishii

CinemaSerf

I remember seeing "Hamlet" performed on stage by the Royal Shakespeare Company - it was all but four hours long and I was distinctly nervous that ennui would set in at some stage... it didn't; and it doesn't with this either. At times it is a slow a burn, but the details and characterisations are crucial to the plot and for the most part this pace serves to create and build this depiction of loyalty and vengeance really well. It's based on the true story of a feud that resulted in an attack on the Lord Kira by the Lord Asano in the Palace of the Shogun. In punishment for the outrageous breach of etiquette, he is ordered to commit hara-kiri and his samurai are ordered to leave and to roam the land as "Ronin" (Master-less nomads). Their new leader tries to get the Shogun to rescind their banishment, but when that fails all bets are off and these deadly 47 take matters into their own hands to avenge their Lord, and themselves. The nature of the story, and of the prevailing culture, doesn't really allow any stand out performances, per se - this is very much an ensemble effort that demonstrates the values of loyalty, dignity and pride as effortlessly as it shows us the less noble, shall we say, aspects of their behaviour as their quest for retribution becomes the more brutal - though never gratuitous. The ending is a curious affair that succeeds and disappoints in equal measure - testament, I think, to the clever interweaving of the characters and the traditions. This is a great adventure film with a strong, often seemingly anachronistic moral code that really flies by. No likes yet


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