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poster of Smash-Up: The Story of a Woman
Rating: 6/10 by 21 users

Smash-Up: The Story of a Woman (1947)

A nightclub singer uses alcohol in excess to sooth her painful life.

Directing:
  • Stuart Heisler
Writing:
  • Dorothy Parker
  • Frank Cavett
  • John Howard Lawson
Stars:
Release Date: Sat, Mar 01, 1947

Rating: 6/10 by 21 users

Alternative Title:
Smash-Up, the Story of a Woman - US
Smash-Up: Story of a Woman - US
A Woman Destroyed - US
Smash-Up - US

Country:
United States of America
Language:
English
Runtime: 01 hour 43 minutes
Budget: $0
Revenue: $0

Plot Keyword: alcoholism, alcoholic, nightclub singer, alcoholic singer, alcoholic woman

Susan Hayward
Angie Evans
Lee Bowman
Ken Conway
Marsha Hunt
Martha Gray
Eddie Albert
Steve Nelson
Carl Esmond
Dr. Lorenz
Carleton Young
Fred Elliott
Sharyn Payne
Angel Conway
Larry J. Blake
Emcee (uncredited)
George Meeker
Wolf (uncredited)
Erville Alderson
Farmer (uncredited)
George Meader
Attorney (uncredited)
Ruth Sanderson
Maggie (uncredited)
Steve Olsen
Bartender (uncredited)
Fredi Walker-Browne
Bartender (uncredited)
Barbara Wooddell
girl (uncredited)
Cecil Elliott
Matron (uncredited)
Alice Fleming
Mrs. Tierman (uncredited)
John Wald
Radio announcer (uncredited)
James Craven
Winsley (uncredited)
Frances Morris
Miss Benton (uncredited)
Connie Leon
Mary (uncredited)
William Gould
Judge (uncredited)
Vivien Oakland
Woman at bar (uncredited)
Robert Verdaine
Maitre d' (uncredited)
George Ramsey
Cab driver (uncredited)
Ed Randolph
Cab Driver (uncredited)
Eddie Coke
News Photographer (uncredited)
Ann Toth
Ladies Room Patron (uncredited)

CinemaSerf

A sort of role-reversal of "A Star is Born" as Susan Hayward portrays a successful nightclub singer who marries a struggling lyricist - Lee Bowman. When his career takes off, she becomes disheartened and turns to the bottle - putting herself and her young daughter at risk. Hayward is rather good in this - she is convincing as both a singer (thanks, largely, to the tones of Peg La Centra) and a drunk; and does engender a feeling of sympathy. Regrettably, the rest of the cast are unremarkable and the ending reduces her performance to little more than that of a pathetic failure. It's worth a watch, but only because you can see the star quality in Hayward's performance rather than anything peculiar to this story.


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