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poster of Another Man's Poison
Rating: 6.6/10 by 42 users

Another Man's Poison (1951)

Mystery novelist Janet Frobisher, lives in an isolated house, having been separated for years from her criminal husband. She has fallen in love with her secretary's fiancé and when her estranged husband unexpectedly returns, Janet poisons him, but just as she's about to dispose of the body, one of her husband's criminal cohorts also shows up.

Directing:
  • Irving Rapper
  • George Fowler
Writing:
  • Val Guest
Stars:
Release Date: Tue, Nov 20, 1951

Rating: 6.6/10 by 42 users

Alternative Title:

Country:
United Kingdom
Language:
English
Runtime: 01 hour 30 minutes
Budget: $0
Revenue: $0

Plot Keyword: countryside, based on play or musical, novelist, seductress, older woman younger man relationship, nosy neighbor, disposing of a dead body, illicit affair, amateur sleuth, poisoned drink, busybodies, fake husband, estranged husband, wife kills husband

Bette Davis
Janet Frobisher
Gary Merrill
George Bates
Emlyn Williams
Dr. Henderson
Anthony Steel
Larry Stevens
Edna Morris
Mrs. Bunting

John Chard

The Dark Recesses of the Female Mind. Another Man's Poison is directed by Irving Rapper and adapted to screenplay by Val Guest from the play "Deadlock" written by Leslie Sands. It stars Bette Davis, Gary Merrill, Emlyn Williams, Anthony Steel and Barbara Murray. Music is by John Greenwood and Paul Sawtell and cinematography by Robert Krasker. A whole bunch of fun if expectation levels are correctly set. Another Man's Poison is essentially a one set piece (confirming its stage origins), with primary focus on just five people and a horse. It's a tale of murder, deception and carnal desires, the latter of which is wrung out via Janet Frobisher's (Davis) affair with a much younger man who happens to be the intended of her secretary. Frobisher is quite frankly a bitch, something which Davis attacks with relish and no little amount of histrionic camp. She's the fulcrum of the story, but all the other key characters here are either stupid, ignorant, devious or all three in one go! Oh yes, this is a regular hot-bed of people you really wouldn't want to be hanging around with for too long. It's these characterisations that along with Krasker's photography just about earns the pic its film noir badge. The script isn't up to much - where stories about changes being made by Williams and that Davis and Merrill (husband and wife at the time) being unhappy – are common place, but it never outstays its welcome by being boring, and ultimately Bette being batty is always good entertainment. 6.5/10


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