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poster of The Mad Empress
Rating: 5.6/10 by 7 users

The Mad Empress (1939)

The Mad Empress is a 1939 American historical drama film depicting the 3-year reign of Maximilian I of Mexico and his struggles against Benito Juarez.

Directing:
  • Miguel Contreras Torres
Writing:
  • Miguel Contreras Torres
  • Jean Bart
  • Jerome Chodorov
Stars:
Release Date: Sat, Dec 16, 1939

Rating: 5.6/10 by 7 users

Alternative Title:
A Imperatriz Louca - BR
La rivolta del Messico - IT
Carlotta the Mad Empress - US
Juarez and Maximilian - US

Country:
Mexico
United States of America
Language:
Runtime: 01 hour 12 minutes
Budget: $0
Revenue: $0

Plot Keyword: revolution, napoleon bonaparte, family relationships, royalty, religion
Subtitle   Wallpaper   Watch Trailer    

Medea de Novara
Empress Carlotta of Mexico
Conrad Nagel
Maximilian
Jason Robards Sr.
President Benito Juarez
Lionel Atwill
General Bazaine
Guy Bates Post
Louis Napoleon III
Evelyn Brent
Empress Eugenie
Frank McGlynn Sr.
President Abraham Lincoln
Nigel De Brulier
Father Fisher
Michael Visaroff
Dr. Samuel Basch
Earl Gunn
Porfirio Diaz
George Regas
Mariano Escobedo
Duncan Renaldo
Col. Miguel López
Julian Rivero
General Tomás Mejía

CinemaSerf

Comparisons are bound to be made between this and "Juarez" being made, simultaneously, across Los Angeles - both focussing on the ill-fated Maxililian and Carlotta - the first, last and only Emperor and Empress of Mexico. Installed by Emperor Napoleon III (Guy Post) the couple reluctantly arrive in their new Empire assured of the support of the local population, and of the military of the French. It doesn't take them very long to realise that both promises are somewhat hollow - especially after their chief military advisor "Bazaine" (Lionel Atwill) manages to get Maxilmilian (Conrad Nagel) to sign a pretty Draconian degree which only serves to galvanise the independent spirit of his people. Carlotta (Medea de Novaro) hardly features at all in this rather mis-titled drama - she heads home to plead their hopeless cause with Napoleon, only for her insistence to fall on deaf ears and for her to remain, without her husband, slowly going out of her mind with grief and loneliness. It pays more than a passing nod to the history - the restoration of the Republic under Juarez (Jason Robards Snr.) and of the grizzly fate that awaited the erstwhile monarch - and the performance from Nagel injects some of the pride and integrity of a man used as a pawn as surely as if he were nought but a foot soldier (in a more fancy uniform) in his cousin's guard. The narrative is a bit too chronological, and the performances and writing are efficient, but it's still well made and good looking with the glamorous de Novara (and her very thick accent) enjoyable to watch too.


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