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poster of Tycoon
Rating: 5.3/10 by 14 users

Tycoon (1947)

Engineer Johnny Munroe is enlisted to build a railroad tunnel through a mountain to reach mines. His task is complicated, and his ethics are compromised, when he falls in love with his boss's daughter

Directing:
  • Richard Wallace
  • Grayson Rogers
Writing:
  • Borden Chase
  • John Twist
  • C.E. Scoggins
Stars:
Release Date: Sat, Dec 27, 1947

Rating: 5.3/10 by 14 users

Alternative Title:

Country:
United States of America
Language:
English
Runtime: 02 hour 08 minutes
Budget: $0
Revenue: $0

Plot Keyword: mountain, engineer, railroad, ethics

John Wayne
Johnny Munroe
Laraine Day
Maura Alexander Munroe
Cedric Hardwicke
Frederick Alexander (as Sir Cedric Hardwicke)v
Judith Anderson
Miss Ellen Braithwaite
Anthony Quinn
Ricky Vegas
James Gleason
Pop Mathews
Blanca Vischer
Young Woman (uncredited)
Brick Sullivan
Foreman with Holden at Fiesta (uncredited)
Jan Sterling
Dancer at Fiesta (uncredited)
Julian Rivero
Priest (uncredited)

CinemaSerf

"Johnny" (John Wayne) and his long-suffering partner "Pop" (James Gleason) do contract mining work and are building a tunnel for railway owner "Alexander" (Sir Cedric Hardwicke). This latter man is a bit of a pile driver and they are already arguing about safety and cost cutting at the tunnel when "Johnny" encounters his boss's daughter "Maura" (Laraine Day). Dad disapproves profoundly, but the two embark on a romance that leaves both estranged from her father - and that makes their digging even more dangerous. Can they reconcile their differences before disaster strikes? The last half hour picks up the pace quite well - loads of heavy rain and engineering peril, but the rest of this over-long melodrama spends far too long on the smoochy stuff and nowhere near enough on any adventure elements. Anthony Quinn turns up now and again, but is largely wasted as the rich man's nephew "Ricky" and Judith Anderson is likewise underused as the well meaning assistant "Miss Braithwaite" - a woman in whom "Alexander" is clearly interested but his rigid behaviour leaves little room for this to flourish. Like so many of Wayne's leading ladies, Day is a rather underwhelming actress who has a little more to get her teeth into here, in theory, but she seems content to wander around in a different frock each time pouting and pretending she can fry an egg. This is typical fayre for this star, and though it is watchable enough it's not a movie that I reckon I shall ever recall.


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