+

poster of Cyborg 2087
Rating: 5.8/10 by 24 users

Cyborg 2087 (1966)

In the future world of the year 2087, freedom of thought is illegal and the thoughts of the world's populations are controlled by the government. A small band of "free thinkers" send a cyborg back in time to the year 1966 to prevent a scientist from making the breakthrough that will eventually lead to the mass thought control of the future. Our time traveler soon discovers he is not alone when government agents from the future try to prevent him from carrying out his mission.

Directing:
  • Franklin Adreon
Writing:
  • Arthur C. Pierce
Stars:
Release Date: Sat, Oct 01, 1966

Rating: 5.8/10 by 24 users

Alternative Title:
Man from Tomorrow - US
Cyborg anno 2087 metà uomo metà macchina... programmato per uccidere - IT

Country:
United States of America
Language:
English
Runtime: 01 hour 26 minutes
Budget: $0
Revenue: $0

Plot Keyword: mind control, assassin, experiment, cyborg, telepathy, dystopia, time travel, scientist
Subtitle   Wallpaper   Watch Trailer    

Karen Steele
Dr. Sharon Mason
Warren Stevens
Dr. Carl Zellar
Eduard Franz
Prof. Sigmund Marx
Adam Roarke
Deputy Dan
Tyler MacDuff
Sam Gilmore
Sherry Alberoni
Laura Zellar
Shug Fisher
Short Station Attendant
James Kline
Tall Station Attendant
JoAnne Gaylord
Andrew's Wife
Ted Ryan
Gate Guard
Harry Hollins
Harry - Communications Officer
Ruth Foster
Citizen in Crowd
Larry Dean
Man In Control Booth
Jo Ann Pflug
Woman in Control Booth
Byron Morrow
Mr. Simmons

CinemaSerf

Once again, Michael Rennie dons a tin-foil suit to come and warn mankind to amend it's ways. This time, though, he is a cyborg called "Garth 7" sent back from the year 2087 to try and stop an evolutionary process that will rob us all of our ability to think for ourselves. He manages to ally with "Dr. Mason" (Karen Steele) but pretty soon they are aware that the government they wish to thwart has also sent agents back and so not just time, but other folks from the future are against them too. This is cheap and cheerful, pedestrianly written, afternoon fodder that is very light on science or characterisations. Rennie looks like he maybe only did the one filming day, such is the truncated nature of the editing - and the special effects (his bio-implants, especially) are not up to very much, either. Oddly enough, it might have looked better in black and white, somehow the colour just makes it look even more sloppily thrown together. Potentially, an interesting take on a well used idea, but sadly it offers little we haven't seen before and the star is well past his best.


My Favorite

Welcome back!

Support Us

Like Movienade?

Please buy us a coffee

scan qr code