No Hard Feelings (2020)
Parvis, the son of exiled Iranians, copes with life in his small hometown by indulging himself with pop culture, Grindr dates, and raves. After being caught shoplifting, he is sentenced to community service at a refugee shelter where he meets siblings Banafshe and Amon, who have fled Iran. As a romantic attraction between Parvis and Amon grows, the fragile relationship between the three is put to a test.
- Antonia Pahlke
- Paulina Lorenz
- Faraz Shariat
- Paulina Lorenz
- Säye Skye
- Faraz Shariat
Rating: 5.2/10 by 16 users
Alternative Title:
Wir - DE
Без обид - RU
No hard Feelings - US
노 하드 필링스 - KR
Country:
Germany
Language:
العربية
English
Deutsch
فارسی
Runtime: 01 hour 33 minutes
Budget: $0
Revenue: $0
Plot Keyword: dual identity, sibling relationship, refugee, coming of age, community service, lgbt, small town milieu, iranian expats, cultural identity, gay theme
This film is probably more remarkable because it deals with a same-sex attraction between two young immigrant Iranian lads rather than because the drama is especially innovative or interesting. "Parvis" (Benny Radjaipour) is a bit of a street urchin who gets caught stealing and sentenced to work in a shelter where he encounters siblings "Banafshe" (Banafshe Hourmazdi) and her brother "Amon" (Eidin Jalali). Whilst they strive to get residence status in Germany, the two boys start to bond. Initially, their relationship is pretty clandestine but gradually confidence grows and... It's all a bit too formulaic, this, but there is some chemistry between the two lads and the narrative does address some of the religious and social attitudes to these youngsters and the difficulties they face - even in 2020s Germany. It also illustrates quite well the issues that migrants of all persuasions face trying to enter and stay in the EU which, though portrayed here rather simplistically, still merit a mention. Gay dramas are definitely getting better. This has the odd bit of nookie, but the characterisations - though rather undercooked - are much more front and centre here, and though it is not a film you are likely to remember, it does hold the attention well enough for ninety minutes.
