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poster of Mohawk
Rating: 5.6/10 by 15 users

Mohawk (1956)

An artist working in a remote army post is juggling the storekeeper's daughter, his fiancée newly arrived from the east, and the Indian Chief's daughter. But when a vengeful settler manages to get the army and the braves at each other's throats his troubles really begin.

Directing:
  • Kurt Neumann
  • Lee Lukather
Writing:
  • Maurice Geraghty
  • Maurice Geraghty
  • Milton Krims
  • Milton Krims
Stars:
Release Date: Sun, Apr 01, 1956

Rating: 5.6/10 by 15 users

Alternative Title:
Hacha de guerra - ES
Am Fluss der Mohawk - DE

Country:
United States of America
Language:
English
Français
Runtime: 01 hour 19 minutes
Budget: $0
Revenue: $0

Plot Keyword: fort, artist, native american
Subtitle   Wallpaper   Watch Trailer    

Scott Brady
Jonathan Adams
Lori Nelson
Cynthia Stanhope
Allison Hayes
Greta Jones
Ted de Corsia
Indian Chief Kowanen
Michael Granger
Mohawk Priest
John Hudson
Captain Langley
James O'Hara
Sergeant (as James Lilburn)
Clegg Hoyt
Wagon Driver (uncredited)
Albert William Cody
Indian Chief (uncredited)
Paul Lukather
Angry Settler (uncredited)
Bob Reeves
Settler (uncredited)
Chick Hannan
Settler (uncredited)
Troy Melton
Settler (uncredited)
Art Felix
Settler (uncredited)
Fox O'Callahan
Settler (uncredited)
Sidney Clute
Settler (uncredited)
Ray Spiker
Settler (uncredited)

CinemaSerf

This was clearly just intended as a cheap and cheerful afternoon B feature, and it does that job adequately enough. The hunky, if somewhat wooden Scott Brady is "Jonathan" - an artist who finds himself embroiled in a love triangle between "Onida" (Rita Gam) and "Cynthia" (Lori Nelson) whilst dealing with the much less dangerous threat of a war between the local Mohawk and Iroquois who are being armed and supplied by a nasty sutler content to play one against the other. As usual, Rhys Williams steals his few scenes as the only source of charisma in this otherwise entirely procedural western. It doesn't hang about, though - aside from the all too frequent romantic interludes, the story is something from a 1950s comic and moves along quite efficiently. A hero who is guaranteed to save the day and get the gal - regardless of the overwhelming odds stacked against him. The production is very set-bound, which at times is quite noticeable, but I'm sure it had a modest budget and filming timescale and it actually does ok with the mediocre talent at hand to turn out an enjoyable enough, but entirely forgettable, boy's-own style of adventure with a soupçon of moral fortitude thrown in.


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