The Moon Is Blue (1953)
Two aging playboys are both after the same attractive young woman, but she fends them off by claiming that she plans to remain a virgin until her wedding night. Both men determine to find a way around her objections.
- Otto Preminger
- F. Hugh Herbert
- F. Hugh Herbert
Rating: 6.4/10 by 46 users
Alternative Title:
La lune était bleue - FR
Wolken sind überall - DE
Country:
United States of America
Language:
English
Runtime: 01 hour 39 minutes
Budget: $400,000
Revenue: $0
Plot Keyword: virgin, preserved film, condemned by legion of decency
Drink to Me Only with Thine Eyes. The Moon is Blue is one of those olde rom-coms that nowadays has the ability to baffle us as to how it caused such ripples in the movie world back in the day. But ripples it did stir, and all told it's a pretty effective study of manners, etiquette and sexual understandings. Directed by Otto Preminger and based on F. Hugh Herbert's cheeky play of the film's title, it stars William Holden, David Niven and Maggie McNamara. Plot essentially revolves around McNamara holding onto her virginity as the male predators close in. If she holds firm she will of course snare the man she is meant to be with. It's a bit talky and too mired in its stage origins at times, but there's a waspish deliberation about the humour that holds attention and the performances, in conjunction with Preminger's agile camera techniques, are well worth investment. More curio than essential cinema, but enjoyable and rich with characterisations of worth. 7/10 The Moon is Blue is one of those olde rom-coms that nowadays has the ability to baffle us as to how it caused such ripples in the movie world back in the day. But ripples it did stir, and all told it's a pretty effective study of manners, etiquette and sexual understandings. Directed by Otto Preminger and based on F. Hugh Herbert's cheeky play of the film's title, it stars William Holden, David Niven and Maggie McNamara. Plot essentially revolves around McNamara holding onto her virginity as the male predators close in. If she holds firm she will of course snare the man she is meant to be with. It's a bit talky and too mired in its stage origins at times, but there's a waspish deliberation about the humour that holds attention and the performances, in conjunction with Preminger's agile camera techniques, are well worth investment. More curio than essential cinema, but enjoyable and rich with characterisations of worth. 7/10