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poster of Pier 23
Rating: 5.2/10 by 8 users

Pier 23 (1951)

Pier 23 was one of three hour-long mysteries produced by Lippert Productions for both TV and theatrical release. Each of the three films was evenly divided into two half-hour "episodes," and each starred Hugh Beaumont as San Francisco-based amateur sleuth Dennis O'Brien. In Pier 23, O'Brien first tackles the case of a wrestler who has died of a suspicious heart attack after refusing to lose a match. He then agrees to help a priest talk an escaped criminal into returning to prison. The film's two-part structure leads to repetition and predictability, but it's fun to watch TV's "Ward Cleaver" making like Philip Marlowe.

Directing:
  • William Berke
  • John Francis Murphy
Writing:
  • Herb Margolis
  • Lou Morheim
  • Julian Harmon
  • Victor West
Stars:
Release Date: Fri, May 11, 1951

Rating: 5.2/10 by 8 users

Alternative Title:
Flesh and Leather - US

Country:
United States of America
Language:
English
Runtime: 00 hour 58 minutes
Budget: $0
Revenue: $0

Plot Keyword: san francisco, california, b movie

Hugh Beaumont
Dennis O'Brien
Ann Savage
Ann Harmon
Edward Brophy
Prof. Shicker
Richard Travis
Police Inspector Lt. Bruger
Margia Dean
Flo Klingle
Mike Mazurki
Ape Danowski
David Bruce
Charles Giffen
Raymond Greenleaf
Father Donovan
Eve Miller
Norma Harmon
Harry Hayden
Dr. Earl J. Tomkins
Joi Lansing
The Cocktail Waitress
Peter Mamakos
Nick Garrison
Chris Drake
Mike Greeley
Billy Varga
Willie Klingle
John Indrisano
Mushy Cavelli
Richard Monahan
Henry - Bartender
Charles Wagenheim
Lefty - Policy Man
Jack Chefe
Waiter (uncredited)
Heinie Conklin
Counter Man (uncredited)
Jack Gordon
Wrestling Match Spectator (uncredited)
Kit Guard
Drunk at Wrestling Match (uncredited)
Barry Norton
Waiter (uncredited)
Cosmo Sardo
Club patron (uncredited)
Max Wagner
Bar Patron (uncredited)

CinemaSerf

Hugh Beaumont is adequate here as private investigator "O'Brien" in this really rather procedural crime drama. Indeed, it comes across as two separate episodes rather clunky joined together. What does link the themes though, is that he always seems to find himself in the wrong place at the wrong time and usually ends up trying to convince folks that he isn't the criminal that all fingers seem to want to point to. This rather dry feature sees him embroiled in a wrestling cover-up for a murder which is completely devoid of jeopardy because that story concludes with half an hour to go! The next sequence sees him trying to persuade a convicted felon not to try to escape from Alcatraz, only to - yet again - get all caught up in some shenanigans that could see him in the "chair". What really doesn't help is the annoying narration - peppered with what they must have hoped were witticisms - that describe what he is about to do before he does it. It is almost as if it were made by a production team with a radio background less used to the audience being able to see what action (activity may be better) is actually going on. Kills an hour, but then so does the hoovering.


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