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poster of Germany, Year Zero
Rating: 7.701/10 by 376 users

Germany, Year Zero (1948)

In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.

Directing:
  • Roberto Rossellini
  • Max Kolpé
  • Franz von Treuberg
  • Carlo Lizzani
Writing:
  • Roberto Rossellini
  • Carlo Lizzani
  • Max Kolpé
  • Sergio Amidei
  • Roberto Rossellini
Stars:
Release Date: Wed, Dec 01, 1948

Rating: 7.701/10 by 376 users

Alternative Title:
Alemanha, Ano Zero - BR
Németország, nulla év - HU
Németország, nulla évben - HU
Németország a nulladik évben - HU
독일 영년 - KR
Deutschland im Jahre Null - DE
Alemania Año Cero - AR
Alemania Año Cero - MX
Německo v roce nula - CZ
Nemecko v roku nula - SK
Niemcy – rok zerowy - PL

Country:
France
Germany
Italy
Language:
Deutsch
Runtime: 01 hour 12 minutes
Budget: $0
Revenue: $0

Plot Keyword: berlin, germany, nazi, post war, child, neo realism, italian neo realism

talisencrw

What an awful position the despicable Nazis left their descendants at the close of the Second World War. Rossellini has the perfect, objective, almost documentarian painterly hand in his depiction of this, and I have the feeling that only someone from one of the losing Axis countries, such as he, could so astutely and profoundly bring across such a feeling of loss and guilt that haunted these 'survivors'. A very sad film to watch, yet at the very same time necessary and healing. Clearly my favourite of his works, next to his magnificent 'The Flowers of St. Francis'.

CinemaSerf

Edmund Moeschke ("Edmund") is superb in this gritty and authentic looking post-war story of a young boy struggling, with his family, to make ends meet in Berlin after the fall of the Nazis. Scrounging, scrimping, scavenging - all to try and keep his ailing father and the rest of his family fed and warm. It is tightly cast and the scenarios - filmed just three years after the allies reduced much of the city to rubble are very poignant; the photography and sparing dialogue all lend well to the gently accumulating sense of desperation that culminates in tragedy. The children bring optimism and hope to the story - their innocence writ large as they embark on a new life for them as did the rest of Europe in 1948. Well worth a watch.


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