Ronin (1998)
A briefcase with undisclosed contents – sought by Irish terrorists and the Russian mob – makes its way into criminals' hands. An Irish liaison assembles a squad of mercenaries, or 'ronin', and gives them the thorny task of recovering the case.
- John Frankenheimer
- Mishka Cheyko
- Angela Allen
- David Artur
- Fanny Aubrespin
- David Mamet
- J.D. Zeik
- J.D. Zeik
Rating: 6.968/10 by 2368 users
Alternative Title:
로닌 - KR
Ронин - RU
冷血悍將 - CN
罗宁 - CN
ローニン - JP
โรนิน 5 มหากาฬล่าพลิกนรก - TH
Ronin - US
Ronin - ES
Country:
United Kingdom
United States of America
Language:
English
Français
Pусский
Runtime: 02 hour 02 minutes
Budget: $55,000,000
Revenue: $70,692,101
Plot Keyword: france, paris, france, arms deal, mercenary, suitcase, heist, shootout, impostor, ira (irish republican army), cafe, computer expert, ex kgb, cellular phone trace, violence, car chase
**A little boring with a great car chase scene.** Even though Ronin had shootouts, great chase sequences, and classic actors, I was bored and on my phone throughout the whole thing. Nothing was particularly bad about this film. There were actually great parts! But somehow, the sum of all its parts just equaled a movie that left me wanting. Releasing four years after Leon: The Professional, this could have been much better.
It would not be fair to describe a "Ronin" as a rogue; more a mercenary without loyalty to any one particular person or cause. So, Natasha McElhone "Deirdre" hires a few of these to relieve a man of a suitcase that is bound for the Russians. What follows is as internecine a thriller as you will ever see. It's full of scheming and double-scheming with "Sam" (Robert De Niro) and "Vincent" (Jean Reno) never quite sure who is or is not on their team as the suitcase changes hands more times that the wonderfully elegant Katarina Witt changes her skates. Stellan Skarsgård; Sean Bean; Jonathan Pryce and Michael Lonsdale all help to keep them, and us, guessing pretty much right to the end. It does suffer a little from a preponderance of shoot outs that couldn't hit a barn door with a shovel; and the car chases do begin to get wearisome after a while, but over all John Frankenheimer manages to keep the quality of the action to a high enough standard to compensate. The dialogue is a bit basic, as are the characterisations - this has no depth nor underlying political agenda/statements - not the I could discern, anyway - it is just a good old fashioned thriller with a first rate cast who are unchallenged by their tasks - and therefore are perfectly plausible.
